CSO: David Fray on Chopin Piano Concerto No. 2

Описание

French pianist David Fray's Symphony Center recital last spring was called “musical poetry” by the Chicago Tribune. He returns to perform Chopin's tenderly lyrical Second Piano Concerto. Christoph Eschenbach, music director of the National Symphony Orchestra, rounds out a richly romantic program with Carl Maria von Weber's noble overture to his opera Der Freischütz and two of Mendelssohn's most beloved masterpieces.

Learn more: https://cso.org/ticketsandevents/production-details-2017-18/chicago-symphony-orchestra/chopin-mendelssohn/

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David Fray - Schubert: Moments Musicaux, Impromptus

David Fray - Schubert: Moments Musicaux, Impromptus

David Fray - Schubert: Moments Musicaux, Impromptus Album available on: http://bit.ly/DavidFraySchubert https://www.facebook.com/DavidFray.officiel David Fray has declared his particular affinity with Austro-German music, and after two CDs featuring Bach (and a DVD featuring him in Bach concertos) he now turns to the early Romantic era and Schubert, with a programme of the six Moments musicaux D780, the four Impromptus D899 and the Allegretto in C minor D915, recorded in Berlin. His approach to the music is typically questioning and illuminating. At the piano, he told the French magazine Pianiste, I try to make music like a conductor, not just as a pianist. I approach the score as if it is a reduction of a symphonic work. The piano constitutes a way of getting nearer the heart of the music. How do you balance the voices? How do you find a progression in a movement? How do you put the polyphony in place? Its much more interesting to study Bachs approach to the orchestra in the Magnificat or the Christmas Oratorio than to read books on how to play Bach on the piano. Each time I approach a new score, I ask myself how the composer would have written it if he hadnt decided on the piano. Take Schuberts first impromptu, for instance: it starts like a reduction of an orchestral score: a tutti chord and then the melody is presented on its own, as if on a flute. Then the winds take up the theme before the strings make their entry. Most of the work comprises three or four independent lines which sing together a cello ostinato, counterpoint harmony in the violas, say, and the winds above it. http://www.emiclassics.com/david-fray __________ Warner Classics ► Website: http://www.warnerclassics.com Subscribe to our: ► YT- Channel: https://wnrcl.me/subscribeYT ► Newsletter https://wnrcl.me/subscribeNL Follow us on: ► Facebook: http://www.fb.com/WarnerClassicsErato ► Instagram: http://www.instagram.com/warner_classics ► Twitter: http://twitter.com/WarnerClassics ► YouTube: https://www.youtube.com/warnerclassics Listen to us on: ► Spotify: http://open.spotify.com/user/warnerclassics ► Apple Music: http://itunes.apple.com/curator/warner-classics/1153741571 ► Deezer https://www.deezer.com/profile/321050935 Warner Classics is the home of classical music, featuring iconic high audio quality recordings from the greatest classical legends, opera stars and orchestras of the last century. Discover our unique collection of live performances, studio sessions and films featuring Maria Callas, Jacqueline du Pré, Nigel Kennedy, Mstislav Rostropovich, Yehudi Menuhin, Itzhak Perlman, Herbert von Karajan, Berliner Philharmoniker and more. Along with its sister label Erato, Warner Classics continues this tradition with today's most in-demand classical artists, such as Philippe Jaroussky, Joyce DiDonato, Diana Damrau, Emmanuel Pahud, Alexandre Tharaud, Sir Antonio Pappano, Christina Pluhar and Renaud Capuçon. Enjoy this ever-expanding library of official performance videos and exclusive interviews from the classical greats. Check back regularly for more music from your favourite composers including Bach, Mozart, Chopin, Debussy, Satie, Beethoven, Vivaldi, Handel and more.

5 лет назад