Beethoven: Symphony No. 2 (K. Masur/Gewandhausorch. Leipzig, 1972)

Описание

Ludwig van Beethoven - Symphony No. 2 in D major, Op. 36 / D-dur Op. 36

A1 Adagio molto - Allegro con brio 0:00
A2 Larghetto 12:56
B1 Scherzo. Allegro 25:52
B2 Allegro molto 29:40

Grande Sinfonie pour deux Violons, Alto, deux Flûtes, deux Hautbois, deux Clarinettes, deux Bassons, deux Cors, deux Trompettes, Timballes, Violoncelle et Besse, composée et dediée à son Altesse Monseigneur le Prince Charles de Lichnowsky par Louis van Beethoven. Op. 36. A Vienne, au Bureau d'arts et d'Industrie, Rue Kohlmarkt N. 269.

Conductor: Kurt Masur
Gewandhausorchester Leipzig
ETERNA ‎– 8 26 421-422, 1975 (33 RPM)
Country: German Democratic Republic (GDR)

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One of the second group of six string symphonies written by the fourteen year old budding genius, the Sinfonia No. 9 in C, is brilliant and in every respect an early symphony. Its immediate predecessor, the Sinfonia No. 8 in D, combines Mendelssohn's nascent originality with a healthy leavening of the influence of Mozart. Rather than paying further tribute to Mozart, Mendelssohn opens this work in Haydn-esque fashion, with a great ponderous introduction which then bursts into a marvelous, animated first theme. It quickly becomes something Haydn could never have written, with much greater harmonic and rhythmic range and technical sophistications including a divided part for the violas and a sudden shift to a marvelously effective fugal passage at the seam between the exposition and development sections of the first movement. It leaps a generation beyond Haydn and is brilliant far beyond anything of Mozart's at the same age. The piece also features a wondrous, pensive andante second movement and a sparkling, thoroughly Mendelssohnian scherzo. The allegro vivace with which the work concludes once again features brilliant counterpoint, delightful wit, and thoroughly original melodic lines. The work is significant as part of a set of thirteen early string symphonies which the composer wrote, partly as exercises and partly as an effort to spread his wings in the symphonic form. He had crafted the first six of these as early as 1821 - when he was all of twelve years of age - and at first they were purposefully patterned after the Empfindsamkeit style of works by C.P.E. Bach. This was at the direction of his first music tutor, Carl Freidrich Zelter. While the first six were both derivative and imitative, the second group, including this work, show signs of Mendelssohn kicking over the rote mimicry in favor of a more modern and personal style. That the youthful work seems influenced by Haydn in no way dims its brilliance. I. Grave - Allegro (0:00) II. Andante (10:34) III. Scherzo - Trio piu lento "La Suisse" (17:12) IV. Allegro vivace (20:41) ****** If you like this video subscribe to my channel. There are many more videos like this one lovingly prepared and edited by myself for your enjoyment! Check out my extensive playlist collections as well.

3 лет назад
Beethoven's 5th Symphony on One Guitar - Marcin Patrzalek

Beethoven's 5th Symphony on One Guitar - Marcin Patrzalek

➤NEW EP "REVAMP" including Beethoven's 5th Symphony available on http://marcinpatrzalek.com/en/shop-2 and Spotify! ➤TABS available on http://marcinpatrzalek.com/en/shop-2 "5th Symphony" arranged and played by 18-year-old Marcin Patrzalek Like me on Facebook: https://www.facebook.com/PatrzalekGuitar Instagram: @marcinpatrzalek http://marcinpatrzalek.com Booking: [email protected] Subscribe! More videos coming soon! -- Played on an Ibanez AE900-NT guitar. Video recorded and edited by Tomasens www.facebook.com/tomasens.org Instagram: @tomasenscru Mixed/Mastered by Piotr Patrzalek [email protected] Tuning: CGCGCEb This arrangement comes from Marcin Patrzalek's newest album "revAMP" available on all streaming services: Spotify, Apple Music etc. You can buy the EP on http://marcinpatrzalek.com #5thSymphony #Beethoven5th #Fingerstyle

2 месяцев назад
Beethoven: Leonore Overture No. 3, Op. 72b,  Kurt Masur

Beethoven: Leonore Overture No. 3, Op. 72b, Kurt Masur

貝多芬 歌劇"雷奧諾拉"序曲第三號 Beethoven, Ludwig van Leonore Overture No. 3, Op. 72 Conductor: Kurt Masur 指揮: 庫特.馬殊 Gewandhaus Orchester Leipzig 萊比錫布商大廈管絃樂團

7 лет назад
Beethoven - Moonlight Sonata (FULL)

Beethoven - Moonlight Sonata (FULL)

Beethoven - Moonlight Sonata (FULL) - Piano Sonata No. 14 http://www.facebook.com/9Beethoven https://twitter.com/YtAndrearomano6 The Piano Sonata No. 14 in C♯ minor "Quasi una fantasia", op. 27, No. 2, by Ludwig van Beethoven The sonata has three movements: 1 mvt: Adagio sostenuto. 2 mvt: Allegretto (click to go at 6:00 min). 3 mvt: Presto agitato (click to go at 8:05 min). Adagio sostenuto The first movement, in C♯ minor, is written in an approximate truncated sonata form. The movement opens with an octave in the left hand and a triplet figuration in the right. A melody that Hector Berlioz called a "lamentation", mostly by the right hand, is played against an accompanying ostinato triplet rhythm, simultaneously played by the right hand. The movement is played pianissimo or "very quietly", and the loudest it gets is mezzo forte or "moderately loud". The adagio sostenuto has made a powerful impression on many listeners; for instance, Berlioz said of it that it "is one of those poems that human language does not know how to qualify. The work was very popular in Beethoven's day, to the point of exasperating the composer himself, who remarked to Carl Czerny, "Surely I've written better things. Allegretto The second movement is a relatively conventional scherzo and trio, a moment of relative calm written in D-flat major, the enharmonic equivalent of C♯ major, the more easily-notated parallel major of C♯ minor. Franz Liszt described the second movement as "a flower between two chasms."[citation needed] The slight majority of the movement is in piano, but a handful of sforzandos and forte-pianos helps to maintain the movement's cheerful disposition. Presto agitato The stormy final movement (C♯ minor), in sonata form, is the weightiest of the three, reflecting an experiment of Beethoven's (also carried out in the companion sonata, Opus 27, No. 1 and later on in Opus 101) placement of the most important movement of the sonata last. The writing has many fast arpeggios and strongly accented notes, and an effective performance demands lively and skillful playing. It is thought that the C-sharp minor sonata, particularly the third movement, was the inspiration for Frédéric Chopin's Fantaisie-Impromptu, which manifests the key relationships of the sonata's three movements. Of the final movement, Charles Rosen has written "it is the most unbridled in its representation of emotion. Even today, two hundred years later, its ferocity is astonishing. Beethoven's heavy use of sforzando notes, together with just a few strategically located fortissimo passages, creates the sense of a very powerful sound in spite of the predominance of piano markings throughout. Within this turbulent sonata-allegro, there are two main themes, with a variety of variation techniques utilized. Beethoven's pedal mark See also: Piano history and musical performance, Mute (music), and Piano pedals#Beethoven and pedals At the opening of the work, Beethoven included a written direction that the sustain pedal should be depressed for the entire duration of the first movement. The Italian reads: "Si deve suonare tutto questo pezzo delicatissimamente e senza sordino". ("One must play this whole piece [meaning "movement"] very delicately and without dampers.") The modern piano has a much longer sustain time than the instruments of Beethoven's day, leaving for a rather blurry and dissonant tone. One option for dealing with this problem is to perform the work on a restored or replicated piano of the kind Beethoven knew. Proponents of historically informed performance using such pianos have found it feasible to perform the work respecting Beethoven's original direction.

8 лет назад
L.v. Beethoven Symphony No.3 Op.55 in E flat major Eroica

L.v. Beethoven Symphony No.3 Op.55 in E flat major Eroica

L.v. Beethoven Symphony No.3 Op.55 in E flat major Eroica I. Allegro con brio 0:00 II. Marcia funebre. Adagio assai 17:00 III. Scherzo. Allegro vivace -- Trio 32:17 IV. Finale. Allegro molto 38:26 New York Philharmonic Orchestra Leonard Bernstein Conductor

5 лет назад
Beethoven

Beethoven "Symphony No 5" Karajan

Symphony No 5 in C minor, op 67 1. Allegro con brio 2. Andante con moto 3. Allegro 4. Allegro-Presto Philharmonia Orchestra Herbert von Karajan, conductor London, 09.-10.XI.1954

4 лет назад
Beethoven - 6th Symphony - Pastoral

Beethoven - 6th Symphony - Pastoral

Life in a year of pictures set to one of the most beautiful pieces of music ever created. Check out our Websites World United Music http://worldunitedmusic.blogspot.com/ World United Awakening http://worldunitedawakening.blogspot.ca/ Art & Expressions of SF Brennan http://sfbrennanart.blogspot.ca/ World United News http://worldunitednews.blogspot.com/

9 лет назад
Beethoven Symphony #9 in D minor Opus 125, 4th movement.  Leonard Bernstein and the Vienna Phil

Beethoven Symphony #9 in D minor Opus 125, 4th movement. Leonard Bernstein and the Vienna Phil

I have clipped out just the 30 minute finale. The full 75 minute symphony concert with all four movements, originally uploaded by Fotokadr, can be viewed here: http://www.youtube.com/watch?v=DcGQV1hRHJ4 To read my DETAILED ANALYSIS, minute by minute, of all four movements of the Beethoven Ninth (with Youtube clips): Movement 1: http://www.dailykos.com/story/2011/12/09/1041353/-Thursday-Classical-Music-OPUS-62-Beethoven-s-Ninth-Symphony?via=tag Movement 2: http://www.dailykos.com/story/2012/01/05/1047844/-Thursday-Classical-Music-OPUS-64-Beethoven-s-Ninth-Symphony-part-2-?via=tag Movement 3: http://www.dailykos.com/story/2012/01/12/1054150/-Thursday-Classical-Music-OPUS-65-Beethoven-s-Ninth-Symphony-Part-3-?via=tag Movement 4:http://www.dailykos.com/story/2012/03/09/1067136/-Thursday-Classical-Music-OPUS-71-Beethoven-s-Ninth-The-Ode-to-Joy-Finale This is part of our ongoing weekly series of Thursday evening classical music listening and analysis at DailyKos. You're all invited to show up and throw in your own two cents.

7 лет назад
Beethoven - 7th Symphony - 2nd movement

Beethoven - 7th Symphony - 2nd movement

The 2nd movement of Beethoven's 7th symphony, performed by the London Classical Players conducted by Roger Norrington, 1987.

9 лет назад