Beethoven - Symphonies n°6 ''Pastoral'' & 4,1,3,5,7 (reference recording : Evgeny Mravinsky)

Описание

Ludwig van Beethoven (1770-1827) - Symphonies 1,3,4,5,6,7 by the Russian Master Evgeny Mravinsky.

Symphony no.6 in F major op.68 « Pastoral » / 1982
1.Allegro ma non troppo (00:00)
Awakening of cheerful feelings upon arriving in the country
Eveil des sentiments joyeux en arrivant à la campagne

2.Andante molto mosso (9:47)
By the brook
Au bord du ruisseau

3.Allegro (21:57)
Merry gathering of country folk
Joyeuse réunion de paysans

4.Allegro (27:28)
Thunderstorm
L’orage et le Tonnerre

5.Allegretto (30:58)
Shepherd’s song. Happy and thankful feelings after the storm
Chant pastoral. Sentiments de bonheur et de reconnaissance après l’orage

Symphony no.4 In B Flat, Op. 60 / 1973
Adagio, Allegro Vivace (39:58)
Adagio (49:01)
Allegro Vivace (58:49)
Allegro Ma Non Troppo (1:04:32)

Symphony no.1 In C Major, Op. 21 / 1982
1. Adagio Molto - Allegro Con Brio (1:11:25)
2. Andante Cantabile Con Moto (1:21:06)
3. Menuetto_ Allegro Molto E Vivace (1:28:58)
4. Finale_ Adagio - Allegro Molto E Vivace (1:32:52)

Symphony no.3 In E Flat Major, Op. 55 ‘’Eroica’’ / 1968
Allegro Con Brio (1:38:47)
Marcia Funebre_ Adagio Assai (1:52:29)
Scherzo_ Allegro Vivace (2:07:40)
Finale_ Allegro Molto (2:13:03)

Symphony No 5 in C minor, op 67 / 1974
Allegro Con Brio (2:24:38)
Andante Con Moto (2:32:05)
Scherzo. Allegro (2:41:35)
Allegro (2:46:32)

Symphony no.7 in A major op.92 / 1964
1.Poco sostenuto - Vivace (2:55:21)
2.Allegretto (3:08:48)
3.Presto (3:17:02)
4.Allegro con brio (3:25:30)

Leningrad Philharmonic Orchestra
Evgeny Mravinsky
Live recordings in 1964, 68, 73, 74, 82
New mastering in 2017 by AB
Labels : Erato (edition Warner Classics & Jazz) - Melodiya (Symph.4)

Les Symphonies de Beethoven constituent un chapitre majeur de la longue carrière de Mravinsky à la tête d’un orchestre. Le compositeur allemand était vénéré en Russie, il y faisait même l’objet d’un véritable culte. On cherchait et on trouvait dans sa musique l’expression de la personnalité idéale, énergique, forte. Il était considéré comme le maître d’une musique émotionnelle qui montait à l’assaut. En conséquence, la pratique de l’interprétation de Beethoven s’était développée en recherchant ce genre d’effets.

Très tôt, Mravinsky s’engagea sur d’autres chemins, recherchant moins le geste de révolte et mettant au contraire l’accent sur le libre jeu du contraste et à la manière de Furtwangler sur l’unité d’ensemble. Mravinsky aimait particulièrement la 4e symphonie qu’il emporta avec lui partout en tournée et qui contribua à bâtir sa renommée internationale. Saluons particulièrement la Symphonie no.6 ‘’Pastorale’’ où Mravinsky met en valeur la virtuosité individuelle et collective de ses musiciens. Cette interprétation public est un miracle de cohésion. C’est l’une des plus belle ‘’Pastorale'' de l’histoire du disque, une leçon de style et de musique. Les enregistrements proposés ici sont tous à découvrir d’urgence. Le final de la 7e symphonie est entre autre d’une écrasante majesté..

Ludwig Van Beethoven PLAYLIST (reference recordings)
https://www.youtube.com/playlist?list=PL3UZpQL9LIxOhkdci2M8WKMSVaf9WiF8x

Click to buy this recording : https://www.amazon.com/Mravinsky-Conducts-Leningrad-Philharmonic-Orchestra/dp/B000V07IVS/ref=sr_1_1?ie=UTF8&qid=1523609733&sr=8-1&keywords=mravinsky

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J.S. Bach: Brandenburg Concertos (Full Album)

J.S. Bach: Brandenburg Concertos (Full Album)

Tracklist below. iTunes: https://itunes.apple.com/album/bach-brandenburg-concertos/id731972331 Physical sale: http://brilliantclassics.com/articles/j/js-bach-brandenburg-concertos/ Spotify: https://open.spotify.com/album/5GaZjZs77eeR5KxisXmjsi Bach’s set of six Brandenburg concertos remains among his most attractive works. Recorded by Muscia Amphion, a specialized Dutch period instrument ensemble led by harpsichordist Pieter-Jan Belder. Musica Amphion delivers highly energetic performances. The musicians are joined by several of the most prominent early music specialists such as Wilbert Hazelzet on flute and Daniel Brüggen on the recorder. 00:00:00 Concerto No. 1 in F Major, BWV 1046: Without tempo indication 00:03:54 Concerto No. 1 in F Major, BWV 1046: Adagio 00:07:28 Concerto No. 1 in F Major, BWV 1046: Allegro 00:11:34 Concerto No. 1 in F Major, BWV 1046: Menuet - Trio I - Polonaise- Trio II 00:19:39 Concerto No. 2 in F Major, BWV 1047: Without tempo indication 00:24:27 Concerto No. 2 in F Major, BWV 1047: Andante 00:27:42 Concerto No. 2 in F Major, BWV 1047: Allegro assai 00:30:26 Concerto No. 3 in G Major, BWV 1048: Without tempo indication 00:35:45 Concerto No. 3 in G Major, BWV 1048: Adagio 00:36:06 Concerto No. 3 in G Major, BWV 1048: Allegro 00:40:51 Concerto No. 4 in G Major, BWV 1049: Allegro 00:47:33 Concerto No. 4 in G Major, BWV 1049: Andante 00:51:04 Concerto No. 4 in G Major, BWV 1049: Presto 00:55:39 Concerto No. 5 in D Major, BWV 1050: Allegro 01:05:26 Concerto No. 5 in D Major, BWV 1050: Affettuoso 01:11:08 Concerto No. 5 in D Major, BWV 1050: Allegro 01:16:20 Concerto No. 6 in B-Flat Major, BWV 1051: Without tempo indication 01:22:17 Concerto No. 6 in B-Flat Major, BWV 1051: Adagio ma non tanto 01:27:00 Concerto No. 6 in B-Flat Major, BWV 1051: Allegro Artist: Musica Amphion Pieter-Jan Belder harpsichord and concert master with Wilbert Hazelzet (flute) Daniel Brüggen (recorder)

2 лет назад
Shostakovich - Symphony No.8 (recording of the Century : Yevgeny Mravinsky)

Shostakovich - Symphony No.8 (recording of the Century : Yevgeny Mravinsky)

Dmitri Dmitriyevich Shostakovich / Дмитрий Дмитриевич Шостакович (1906-1975) Symphony n°8 In C Minor, Op. 65 1. Adagio (00:00) 2. Allegretto (24:33) 3. Allegro Non Troppo (30:41) 4. Largo (36:57) 5. Allegretto (46:35) Leningrad Philharmonic Orchestra Yevgeny Mravinsky Live recording in 1982, at Leningrad New mastering in 2018 by AB Label : Philips In the summer of 1941, Hitler gave the order to invade the Soviet Union and within a few months the Nazi forces were at the gates of Leningrad. In 1943 Shostakovich was evacuated to Kyuibishev, where this symphony came into being. At this time the battle of Stalingrad was raging and the work briefly bore the subtitle ‘’Stalingrad’’. However is has a wider significance : in ‘testimony’, Shostakovich told Salomon Volkov : ‘’The war brought much new sorrow and much new destruction, but I haven’t forgotten the terrible pre-war years. That is what all my symphonies beginning with the Fourth are about, including the Seventh and Eight’’ - words which, it seems to me, have the ring of truth. Certainly the Eighth succeeds in universalising the bitter suffering of the times more graphically than any of its companions, with the possible exception of the Tenth. Robert Layton Dmitri Shostakovich PLAYLIST (reference recordings) https://www.youtube.com/playlist?list=PL3UZpQL9LIxOGmNLwRgFpWT1dJqSVrsgI

6 месяцев назад
Haydn - The Cello Concertos (recording of the Century : Mstislav Rostropovich/Brown)

Haydn - The Cello Concertos (recording of the Century : Mstislav Rostropovich/Brown)

Franz Joseph Haydn (1732-1809) - The Concertos for cello and orchestra Concerto in D/ré majeur, Hob.VIIb:2 Allegro moderato (00:00) Adagio (14:27) Rondo - Allegro (19:37) Concerto in C/Do majeur, Hob.VIIb:1 Moderato (24:30) Adagio (34:21) Allegro molto (42:50) Cello : Mstislav Rostropovich Academy of St.Martin in the Flields Iona Brown Stéréo recording in 1975, Abbey Road Studio, London Label : EMI / WARNER Synopsis : coming soon Click to buy this recording : https://www.amazon.com/Haydn-Cello-Concertos-Franz-Joseph/dp/B006LL02JQ/ref=sr_1_1?keywords=rostropovich+haydn&qid=1552893751&s=gateway&sr=8-1 Franz Joseph Haydn PLAYLIST (reference recordings) https://www.youtube.com/watch?v=55XgmvOIGCM&t=2524s&list=PL3UZpQL9LIxO-kfxI5EgerTMB-ijyPbCL&index=1 Dvořák - Cello Concerto / Silent Woods (reference recording : Jacqueline Du Pré/Barenboim) https://www.youtube.com/watch?v=6TTdMNiaEo4&t=456s&list=PL3UZpQL9LIxOmR1pAUFUL-0JK-EcbVFUG&index=6

1 лет назад
Chopin - Piano Concertos No.1&2 (reference recording : Arthur Rubinstein/Skrowaczewski/Wallenstein)

Chopin - Piano Concertos No.1&2 (reference recording : Arthur Rubinstein/Skrowaczewski/Wallenstein)

Frédéric François Chopin (1810-1849) - Piano Concertos No.1 & 2 Piano Concerto #1 In E Minor, Op. 11, B 53 - 1. Allegro Maestoso (00:00) Piano Concerto #1 In E Minor, Op. 11, B 53 - 2. Romance: Larghetto (19:43) Piano Concerto #1 In E Minor, Op. 11, B 53 - 3. Rondo: Vivace (30:26) Arthur Rubinstein New Symphony Orchestra of London Stanislaw Skrowaczewski Stéréo recording in 1961 Piano Concerto #2 In F Minor, Op. 21, B 43 - 1. Maestoso (40:37) Piano Concerto #2 In F Minor, Op. 21, B 43 - 2. Larghetto (53:56) Piano Concerto #2 In F Minor, Op. 21, B 43 - 3. Allegro Vivace (1:02:34) Arthur Rubinstein Symphony of the Air Alfred Wallenstein Stéréo recording in 1958 Label : RCA - Sony/Bmg (SACD edition) Frédéric François Chopin PLAYLIST (reference recordings) https://www.youtube.com/playlist?list=PL3UZpQL9LIxOd2d1F4YsbL4XLfB6zvRfj Click to buy the cd : https://www.amazon.com/Chopin-Piano-Concertos-Arthur-Rubinstein/dp/B0009U55SS/ref=sr_1_4?ie=UTF8&qid=1522308135&sr=8-4&keywords=rubinstein+chopin

3 лет назад
Beethoven Edition Vol.1

Beethoven Edition Vol.1

A worthy tribute to Beethoven, the genius, the human, whose motto was: “Vom Herzen, möge es wieder zu Herzen gehn!”(From the heart, may it go into the hearts again!). The first 27 tracks of the Beethoven Edition! For the complete 104 tracks (13 hours of Music!), check the following links: Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Google Play): https://brilliant-classics.lnk.to/BeethovenEdition1 Physicale Sale: https://www.brilliantclassics.com/articles/b/beethoven-edition-new/ iTunes: https://itunes.apple.com/album/id1251894120?ls=1&app=itunes Composer: Ludwig van Beethoven Artist: Staatskapelle Dresden & Herbert Blomstedt 00:00:00 Symphony No. 1 in C Major, Op. 21: I. Adagio molto - Allegro con brio 00:09:03 Symphony No. 1 in C Major, Op. 21: II. Andante cantabile con moto 00:17:36 Symphony No. 1 in C Major, Op. 21: III. Menuetto & Trio. Allegro molto e vivace 00:21:02 Symphony No. 1 in C Major, Op. 21: IV. Finale. Adagio - Allegro molto e vivace 00:27:21 Symphony No. 3 in E-Flat Major, Op. 55: I. Allegro con brio 00:42:24 Symphony No. 3 in E-Flat Major, Op. 55: II. Marcia funebre. Adagio assai 00:59:12 Symphony No. 3 in E-Flat Major, Op. 55: III. Scherzo & Trio. Allegro vivace 01:05:01 Symphony No. 3 in E-Flat Major, Op. 55: IV. Allegro molto - Poco andante – Presto 01:16:50 Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio 01:24:56 Symphony No. 5 in C Minor, Op. 67: II. Andante con moto 01:36:18 Symphony No. 5 in C Minor, Op. 67: III. Allegro 01:45:11 Symphony No. 5 in C Minor, Op. 67: IV. Allegro – Presto 01:54:14 Symphony No. 6 in F Major, Op. 68: I. Allegro ma non troppo 02:03:45 Symphony No. 6 in F Major, Op. 68: II. Andante molto mosso 02:16:26 Symphony No. 6 in F Major, Op. 68: III. Allegro - Sempre più stretto - In tempo d'allegro - Tempo I – Presto 02:03:45 Symphony No. 6 in F Major, Op. 68: IV. Allegro 02:22:10 Symphony No. 6 in F Major, Op. 68: V. Allegretto 02:25:23 Symphony No. 9 in D Minor, Op. 125: I. Allegro ma non troppo, un poco maestoso 02:35:44 Symphony No. 9 in D Minor, Op. 125: II. Molto vivace – Presto 02:52:39 Symphony No. 9 in D Minor, Op. 125: III. Adagio molto e cantabile - Andante moderato - Tempo I - Andante moderato - Adagio - Lo stesso tempo 03:06:27 Symphony No. 9 in D Minor, Op. 125: IV. Presto - Allegro assai - Presto - Recitativo - Allegro assai Artist: Brendel Alfred 03:48:01 Piano Concerto No. 3 in C Minor, Op. 37: I. Allegro con brio 04:03:06 Piano Concerto No. 3 in C Minor, Op. 37: II. Largo 04:13:18 Piano Concerto No. 3 in C Minor, Op. 37: III. Rondo 04:22:33 Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": I. Allegro moderato 04:42:32 Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": II. Adagio un poco mosso 04:51:05 Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": III. Rondo. Allegro

2 лет назад
Ketèlbey, Massenet..-Thaïs

Ketèlbey, Massenet..-Thaïs "Meditation"..- Persian Market.. (Century's recording : Rogers/Sakonov)

The Immortal Works of Albert William Ketèlbey (1875-1959) / Violin Encores (Various Artists) Massenet_ Thaïs. Meditation** (00:00) Korngold_ Much Ado About Nothing - Garden Scene. Intermezzo** (04:44) Godard_ Berceuse De Jocelyn** (09:12) Albert William Ketèlbey (1875-1959) - Orchestral Works with Chorus* In A Monastery Garden (12:12) Wedgwood Blue (17:36) In The Mystic Land Of Egypt (21:40) Bells Across The Meadows (27:42) In A Chinese Temple-Garden (32:17) Sanctuary Of The Heart (38:10) Appy ‘Ampstead (42:08) The Phantom Melody (44:31) In A Persian Market (48:29) Hubay_ Hejre Kati, Op.22** (54:08) Tchaikovsky_ Valse Sentimentale Op.51 No.6** (56:56) Sternhold_ Fêtes Tzigane** (1:01:40) Heuberger, Waldberg, Léon_ Der Opernball. Im Chambre Separée** (1:05:00) Tchaikovsky_ None But The Lonely Heart** (1:08:50) Monti_ Czárdas** (1:12:12) Violin : Josef Sakonov Conductor : Eric Rogers *Royal Philharmonic Orchestra & Chorus Chorus Master : John Alldis **London Festival Orchestra Stéréo recording in 1969 & 1972 Label : Decca Ketelbey - The Best Music of Ketelbey (recording of the Century : John Lanchbery) https://www.youtube.com/watch?v=jCHx-5_rU5c&index=1&list=PL3UZpQL9LIxPbzCBMgcyfim4qU40RckSk Click to buy the cd : https://www.amazon.fr/Monastery-Garden-Immortal-Works/dp/B000004279/ref=sr_1_2?ie=UTF8&qid=1523357328&sr=8-2&keywords=ketelbey+rogers

2 лет назад
Mozart - The Violin Concertos n°1,2,3,4,5,6,7 (recording of the Century : Josef Suk/Hlaváček)

Mozart - The Violin Concertos n°1,2,3,4,5,6,7 (recording of the Century : Josef Suk/Hlaváček)

Wolfgang Amadeus Mozart (1756-1791) The complete Violin Concertos 1-7, Rondos & Adagio. Konzert für Violine und Orchester No.1 B-dur / in B flat / Si bemolle maggiore, K 207 Allegro moderato (00:00) Adagio (07:29) Presto (15:38) Konzert für Violine und Orchester No.2 D-Dur / in D / Re maggiore, K 211 Allegro moderato (21:18) Andante (29:37) Rondeau - Allegro (37:19) Konzert für Violine und Orchester No.3 G-dur / in G / Sol maggiore, K 216 Allegro (42:02) Adagio (50:43) Rondo - Allegro (59:24) Adagio KV 261 für Violine und Orchester E-dur / in E / Mi maggiore (1:05:40) Rondo KV 269 für Violine und Orchester B-dur / in B flat / Si bemolle maggiore (1:13:49) Rondo KV 373 für Violine und Orchester C-dur / in C / Do maggiore (1:20:00) Konzert für Violine und Orchester No.4 D-dur / in D / Re maggiore KV 218 Allegro (1:25:19) Andante cantabile (1:34:55) Rondeau - Andante grazioso - Allegro ma non troppo (1:42:05) Konzert für Violine und Orchester No.5 A-dur / in A / La maggiore K 219 Allegro aperto (1:49:24) Adagio (1:59:04) Rondeau - Tempo di Menuetto - Allegro (2:10:02) Konzert für Violine und Orchester No.6 Es-dur / E flat / Mi bemolle maggiore K 268 Allegro moderato (2:19:11) Un poco Adagio (2:30:50) Rondo - Allegretto (2:36:59) Konzert für Violine und Orchester No.7 D-dur / in D / Re maggiore KV 271i Allegro maestoso (2:43:05) Andante (2:54:39) Rondo - Allegro (3:02:27) Violine : Josef Suk Prague Chamber Orchestra Conductor : Libor Hlaváček Stéréo recordings in 1972-73 Label : Eurodisc Wolfgang Amadeus Mozart was still a very young child when he received his first violin lessons, lessons that were based in all likelihood on the violin tutor published in 1756 by is father, Leopold, who was employed at that time as a violinist in the service of the prince-archbishop of Salzburg. If contemporary accounts may be trusted, the young Mozart must have been highly proficient on the instrument, since he too was employed as a violinist in the local orchestra during his years in Salzburg. His special relationship with the violin finds its sonatas that he wrote in the course of his life. The violin concerto, by contrast, was a genre that caught his attention only once, all five of his contributions to the medium dating from 1774/75. There are five official concertos. But, much remains unclear, however. There is also, a concerto in E flat (K.268), but its authenticity is ope to question, while the D Violin Concerto (K 271i) survives only in the form of a late transcription made in Paris in the 19th century, the original form of which can no longer be reconstructed with any certainty. Britta Sweers The violin virtuoso and conductor Josef Suk (1929-2011) is a representative of a line of Czech performing art of the past. He has developed the legacy of his excellent teachers, mainly Jaroslav Kocian and his grandfather, the composer Josef Suk, who for a long-time was a member of the famed Czech Quartet. From the beginning of his solo career Suk has also been interested in chamber playing, and was for a short time the first violinist of the Prague Quartet (1950–52), and then for a long time of the Suk Trio, which he had established in 1951. In 1961 he was appointed soloist of the Czech Philharmonic Orchestra. Suk has a special liking for the viola, the instrument of his great grandfather Antonín Dvořák. In 1981 he became the artistic leader and conductor of the Suk Chamber Orchestra. His recordings have won various prizes, such as the Grand Prix du disque de l´Academie Charles Cros in Paris six times, in 1972 he won the Edison Prize in Holland, in 1974 the “Wiener Flötenuhr” prize of the Mozart Society in Vienna, and many others. In 1977 Josef Suk received the Golden Disc of Culumbia, the Golden Disc of Supraphon in 1986 and in 1999 he was granted the Platinum Disc of Supraphon for 1,112,000 recordings sold. He has been a teacher of violin playing and has sat on many juries of international competitions. He has also taken part in the work of foundations such as the Dvořák Foundation for Young Performers in Prague. He is president and chairman of the artistic board of the Prague Spring International Music Festival.. http://www.antonindvorak2004.cz Wolfgang Amadeus Mozart (1756-1791) PLAYLIST (references recordings) https://www.youtube.com/playlist?list=PL3UZpQL9LIxMe6H3Sfn2lvPVFzrvhhPO7 Click to buy this recording : https://www.amazon.com/Mozart-Violin-Concertos-Nos-Josef/dp/B01K8MV2RE/ref=sr_1_13?ie=UTF8&qid=1525017343&sr=8-13&keywords=josef+suk+mozart

1 лет назад
Schubert - Symphony 9

Schubert - Symphony 9 "The Great"/8 "Unfinished" (reference recording : Günter Wand)

Franz Schubert (1797-1828) Symphony No. 9 ‘’Die Große/The Great’' D 944, C-dur/C Major Andante - Allegro ma non troppo (00:00) Andante con moto (14:02) Scherzo : Allegro vivace (29:41) Finale : Allegro vivace (40:24) Symphony No. 8 ‘’Unvollendete/Unfinished’’ D 759, h-moll/B Minor Allegro moderato (52:35) Andante con moto (1:08:02) Berliner Philharmoniker Günter Wand Live recording in 1995 Label : RCA Franz Schubert PLAYLIST (reference recordings) https://www.youtube.com/playlist?list=PL3UZpQL9LIxOaqw22VwXvQIvEZ9NoUY8o Click to buy the cd : https://www.amazon.com/Schubert-Symphonies-Nos-8-9/dp/B000003FYT/ref=sr_1_2?s=music&ie=UTF8&qid=1523610350&sr=1-2&keywords=WAND+SCHUBERT

2 лет назад
(FULL) Beethoven Symphony No.6

(FULL) Beethoven Symphony No.6 "Pastorale" And Egmont Overture Op.68 - London Philarmonic Orchestra

Collins Classics OFFICIAL - Beethoven (FULL ALBUM) Symphony No.6 "Pastorale" and Egmont Overture Op.68 Buy it here: http://apple.co/1IRxKWV Spotify: http://spoti.fi/204jBk0 Read the CD booklet here: http://bit.ly/1JzFqNs 0:00 I Allegro Ma Non Troppo "Awakening of cheerful feelings on arrival in the countryside." 12:24 II Andante Molto Mosso "Scene by the brook." 25:35 III Allegro "Merry gathering of country folk." 31:11 IV Allegro "Thunder. Storm." 34:49 V Allegretto "Shepherd's song. Happy and thankful feelings after the storm." 45:48 VI Sostenuto Ma Non Troppo "Egmont Overture" Conducted by James Loughran Performed by the London Philarmonic Orchestra Symphony No. 6 in F major, Op. 68 ‘Pastoral’ Beethoven provided the movements at this symphony with titles, as well as the work itself; but he also declared that he was concerned with sensation rather than depiction — in fact his own musical reactions to country Iife, and not what life in the country looks and sounds like. There is in fact some pictorial effect in the Pastoral Symphony: the birdcalls at the end of the Andante sound Iike birdcalls and not like Beethoven’s reaction to birdsong; and the Storm is perfectly vivid, But the work is not a country diary which can be followed step by step, and so it is probably best to think about the music as music. The Pastoral was completed quite quickly, for Beethoven, between 1807 and 1808, as a relaxation from the ardours at the Fifth Symphony. The two symphonies were performed together at a concert in 1808, and both were dedicated to two at Beethoven's princely friends jointly. The symphony opens at a relaxed tempo but with bracing thoughts, and the subtitle speaks of the blessed exhilaration that the town—dweller feels on breathing country air’. The music is more lyrical than dramatic, and the ideas which supplement the easy— going first tune are presented in a conversational, almost obviously not quite casual manner, though they are thoroughly expanded as the movement proceeds. The whole thing sounds what it is, a contrast to the electric drama of the Fifth Symphony. The broad unhurried pace is maintained in the slow movement which was inspired by the landscape at a riverside. As the movement unfolds expansively, so too the music grows more sonorous and warmer, with the rich advantage at divided and muted cellos. When the famous birdcalls arrive, they are neatly dovetailed into a longer phrase, and the cuckoo call is echoed unobtrusively in the second half at the phrase by bassoons. The scherzo has the subtitle, ‘High-spirited reunion at country Folk’; it is mercurial and yet sturdy in mood, not at all unlike the scherzo part at the corresponding movement in the Seventh Symphony, Beethoven comes near to tone—painting in the trio section, where it is easy to hear the stamping of hob—nailed boots, but the inspiration has undergone a transformation into musical poetry, and it is more exact to say that the music is danceable, rather than literally danced. Beethoven was in the habit of enlarging his scherzo form by playing the trio section twice, but this time the second trio is interrupted by a pattering figure that heralds the Storm section, for which Beethoven augmented his orchestra with a piccolo, trombones and, for the first time in this symphony, the drums. When the storm has passed, a sigh of relief from the oboe leads to C major and the finale. And this unorthodox key shows that the movement had actually begun with the Storm in F minor, which is perfectly proper key for the introduction to an F major movement. The descriptive part of the symphony here is the excuse for a reintroduction of the eloquent formal device that Beethoven was simultaneously practising in the Fifth Symphony — an introduction to the finale that sounds like a bridge passage though it isn’t one. The Allegro port of the finale is built on a cowcall, and is headed ‘Shepherds Hymn‘. Like the first movement it deliberately avoids drama and obvious symphonic effect, though the climax is overwhelming, ’Egmont' Overture, Op. 84 After Fidelio, Egmont is Beethoven's most substantial dramatic score. As with the third Leonora overture, so the overture to Egmont is a grand tone poem summing up the emotional content of the drama. Egmont, Prince of Gaure, saved Flanders from the French invasion, at a time in the sixteenth century when the Netherlands were under Spanish rule. He protested against the decision to make Flanders a Spanish dependency and was arrested and condemned For treason through the machinations of the Duke of Alba, his enemy and the military governor of Flanders. In the overture we hear contrasted moods that express at once the conflict of patriotism and love, and of harsh Spain and suffering Flanders; this is a completely satisfying and convincing ambivalence that is music's special property.

4 лет назад
Brahms - Violin Concerto / Sonata n°3 (recording of the Century : Ginette Neveu/Schimdt-Isserstedt)

Brahms - Violin Concerto / Sonata n°3 (recording of the Century : Ginette Neveu/Schimdt-Isserstedt)

Johannes Brahms (1833-1897) Concerto pour Violon et Orchestre, en ré majeur, op.77 Allegro non troppo (00:00) Adagio (22:21) Allegro giocoso (32:04) Violon : Ginette Neveu NWDR Sinfonie-Orchester Direction : Hans Schmidt-Isserstedt Enregistrement Live, le 3 mai 1948 Remastering 2017 par AB Label : Acanta Sonate n°3 pour Piano et Violon, op.108 Allegro (40:03) Adagio (48:08) Un poco presto (53:05) Presto agitato (56:09) Violon : Ginette Neuveu Piano : Jean Neveu Enregistrement Live, le 21 septembre 1949 Remastering 2017 par AB Label : Tahra Ginette Neveu : née pour jouer du violon / born to play violin "L'exécution du concerto de Brahms portait l'empreinte de la grande violoniste française Ginette Neuveu, faite de musicalité entraînante, de virtuosité et de brillance, de passion et de noblesse.’' Die Welt, 5 mai 1948 "La violoniste parisienne Ginette Neveu à donné une exécution parfaite du concerto de Brahms, avec une maîtrise, une virilité et une précision sonore extraordinaire." -- Hamburger Freie Presse, 5 mai 1948 "D'une incontestable classe internationale, la jeune violoniste française Ginette Neveu à joué le concerto de Brahms avec cette maîtrise géniale dont le secret réside dans la concentration et une discipline absolue. Elle l'a joué avec un talent insurpassable fait de déclamation plastique, de rythme et d'une ardeur musicale extrême." -- Hamburger Echo, 8 mai 1948 "Voici une petite fille qui est déjà un prodige de sensibilité et de technique. On sent une flamme, un don merveilleux. Le jeu coloré qu'elle sait mettre dans la moindre phrase dénote un tempérament artistique vraiment exceptionnel. » — Le petit Niçois, 24 janvier 1932 ''Ginette neveu semble n’être venue sur terre que pour jouer du violon. Elle possède tous les dons du ciel : justesse, charme expression, vélocité.’’ — Le Figaro, 1932 ‘’Melle Neveu possède au plus haut point cette musicalité française faite d’intelligence et de pureté de style, qui demeure la qualité profonde de notre école de violon (…) Elle possède une technique imbattable, une santé solide, la volonté de s’imposer au prix de n’importe quel effort. Elle est une élève attentive, si ardente et si vive, si travailleuse que je devais surtout l’empêcher de trop travailler…’’ — Jules Boucherie (son professeur) pour Excelsior, le 23 mars 1935 suite au premier prix remporté par Ginette Neveu au concours international de Varsovie _______________ ‘’The performance of the Brahms concerto by the great French violinist Ginette Neveu is full of driving musicality, rich with virtuosity and brillance, and filled with both passion and nobility.’’ Die Welt, 5 mai 1948 ‘’The Parisian violonist Ginette Neveu’s performance of the Brahms concerto is perfect and virile, with an extraordinary precision of sound.’’ -- Hamburger Freie Presse, 5 mai 1948 ‘’The young French violinist Ginette Neveu has confirmed her indisputable world class in the Brahms concerto, which she played with that special ingenious mastery that she alone possesses, whose ultimate secret is based on total concentration an absolute sense of discipline. Her unequalled talent is made up of a sense of rhythm, musical passion and the ability to shape the music.’’ — Hamburger Echo, 8 mai 1948 ‘’Here is a young girl whose sensitivity and technique already have made her a prodigy. There is a flame that burns inside her, an unique and truly marvellous gift. The ability to color the most insignificant musical phrase shows a truly exceptional artistic temperament.’’ — Le petit Niçois, 24 janvier 1932 ‘’Ginette Neveu seems to have been born just to play the violin. She has all God’s gifts : precision, charm, expressiveness, speed.’’ — Le Figaro, 1932 ''Miss Neveu has this peculiar French musicality: part intelligence, part stylistic purity, and which is the true quality of our violin school (…) Ginette Neveu’s technique is unbeatable, her health is solid, her will to succeed is unlimited, whatever the effort. She is an attentive pupil, so enthusiastic, so lively, so hard-working that my real job is to prevent her working too much!’’ — Jules Boucherie (her teacher) for Excelsior, le 23 mars 1935 just after she won the international Competition in Warsaw Johannes Brahms PLAYLIST (reference recordings) https://www.youtube.com/playlist?list=PL3UZpQL9LIxOfigsjIfHNN6AuqZVVmfGR Click to buy the cd : https://www.melomania.com/fr/brahms-neveu-concerto-pour-violon-et-orchestre-en-re-majeur-op.77-40928/s

2 лет назад
Albinoni: Complete Oboe Concertos (Full Album)

Albinoni: Complete Oboe Concertos (Full Album)

Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Google Play and more): https://brilliant-classics.lnk.to/AlbinoniOboeConcertos String instruments and especially the violin demanded a key position in Baroque music particularly in Italy. Like many of his contemporaries Tomaso Albinoni composed a large number of pieces for string ensemble and many concertos for the violin. 00:00:00 Concerto a cinque, Op. 9/2: D Minor for Solo Oboe and Strings: Allegro non presto 00:03:43 Concerto a cinque, Op. 9/2: D Minor for Solo Oboe and Strings: Adagio 00:07:57 Concerto a cinque, Op. 9/2: D Minor for Solo Oboe and Strings: Allegro 00:10:48 Concerto, Op. 7/2: C Major for two Oboes and Strings: Allegro 00:12:49 Concerto, Op. 7/2: C Major for two Oboes and Strings: Adagio 00:13:49 Concerto, Op. 7/2: C Major for two Oboes and Strings: Allegro 00:15:40 Concerto, Op. 7/6: D Major for Oboe Solo and Strings: Allego 00:18:21 Concerto, Op. 7/6: D Major for Oboe Solo and Strings: Adagio 00:20:01 Concerto, Op. 7/6: D Major for Oboe Solo and Strings: Allegro 00:22:15 Concerto à 5, Op. 9/9: C Major for two Oboes and Strings: Allegro 00:26:15 Concerto à 5, Op. 9/9: C Major for two Oboes and Strings: Adagio 00:28:45 Concerto à 5, Op. 9/9: C Major for two Oboes and Strings: Allegro 00:32:14 Concerto, Op. 7/8: D Major for two Oboes and Strings: (no tempo) 00:34:32 Concerto, Op. 7/8: D Major for two Oboes and Strings: Largo 00:36:30 Concerto, Op. 7/8: D Major for two Oboes and Strings: Allegro 00:38:16 Concerto à 5, Op. 9/5: C Major for Oboe and Strings: Allegro 00:41:36 Concerto à 5, Op. 9/5: C Major for Oboe and Strings: Adagio 00:43:33 Concerto à 5, Op. 9/5: C Major for Oboe and Strings: Allegro 00:46:42 Concerto, Op. 7/3: B-Flat Major for Oboe Solo and Strings: Allegro 00:49:29 Concerto, Op. 7/3: B-Flat Major for Oboe Solo and Strings: Adagio 00:51:32 Concerto, Op. 7/3: B-Flat Major for Oboe Solo and Strings: Allegro 00:53:45 Concerto, Op. 9/3: F Major for two Oboes and Strings: Allegro 00:58:15 Concerto, Op. 9/3: F Major for two Oboes and Strings: Adagio 01:00:29 Concerto, Op. 9/3: F Major for two Oboes and Strings: Allegro 01:04:25 Concerto à 5, Op. 9/11: B-Flat Major for Oboe and Strings: Allegro 01:08:28 Concerto à 5, Op. 9/11: B-Flat Major for Oboe and Strings: Adagio 01:11:08 Concerto à 5, Op. 9/11: B-Flat Major for Oboe and Strings: Allegro 01:14:28 Concerto, Op. 7/11: C Major for two Oboes and Strings: Allegro 01:17:15 Concerto, Op. 7/11: C Major for two Oboes and Strings: Adagio 01:19:06 Concerto, Op. 7/11: C Major for two Oboes and Strings: Allegro 01:21:42 Concerto à 5, Op. 9/8: G Minor for Oboe Solo and Strings: Allegro 01:25:43 Concerto à 5, Op. 9/8: G Minor for Oboe Solo and Strings: Adagio 01:27:49 Concerto à 5, Op. 9/8: G Minor for Oboe Solo and Strings: Allegro 01:31:27 Concerto, Op. 7/5: C Major for two Oboes and Strings: Allegro 01:33:19 Concerto, Op. 7/5: C Major for two Oboes and Strings: Adagio 01:34:48 Concerto, Op. 7/5: C Major for two Oboes and Strings: Allegro 01:36:09 Concerto, Op. 7/9: F Major for Oboe Solo and Strings: Allegro 01:38:39 Concerto, Op. 7/9: F Major for Oboe Solo and Strings: Adagio 01:39:36 Concerto, Op. 7/9: F Major for Oboe Solo and Strings: Allegro 01:41:59 Concerto à 5, Op. 9/6: G Major for two Oboes and Strings: Allegro 01:45:36 Concerto à 5, Op. 9/6: G Major for two Oboes and Strings: Adagio 01:47:59 Concerto à 5, Op. 9/6: G Major for two Oboes and Strings: Allegro 01:51:00 Concerto, Op. 7/12: C Major for two Oboes and Strings: Allegro 01:53:56 Concerto, Op. 7/12: C Major for two Oboes and Strings: Adagio 01:55:55 Concerto, Op. 7/12: C Major for two Oboes and Strings: Allegro 01:58:07 Concerto, Op. 9/12: D Major for two Oboes and Strings: Allegro 02:01:16 Concerto, Op. 9/12: D Major for two Oboes and Strings: Adagio 02:03:26 Concerto, Op. 9/12: D Major for two Oboes and Strings: Allegro 02:04:56 Concerto for Violin and Strings, Op. 9/1: B-Flat Major: Allegro 02:08:09 Concerto for Violin and Strings, Op. 9/1: B-Flat Major: Adagio 02:09:55 Concerto for Violin and Strings, Op. 9/1: B-Flat Major: Allegro 02:12:23 Concerto, Op. 9/10 in F Major for Violin and Strings: Allegro 02:15:52 Concerto, Op. 9/10 in F Major for Violin and Strings: Adagio 02:19:15 Concerto, Op. 9/10 in F Major for Violin and Strings: Allegro 02:22:44 Concerto, Op. 9/7: D Major for Violin and Strings: Allegro 02:26:14 Concerto, Op. 9/7: D Major for Violin and Strings: Andante e sempre piano 02:33:51 Concerto, Op. 9/7: D Major for Violin and Strings: Allegro 02:36:32 Concerto, Op. 9/4: A Major for Violin and Strings: Allegro 02:39:58 Concerto, Op. 9/4: A Major for Violin and Strings: Adagio 02:42:16 Concerto, Op. 9/4: A Major for Violin and Strings: Allegro Artist: Stefan Schilli (oboe) Stuttgart Chamber Orchestra

2 лет назад
Sibelius - Symphony n°2 (reference recording : George Szell/Concertgebouw)

Sibelius - Symphony n°2 (reference recording : George Szell/Concertgebouw)

Jean Sibelius (1865-1957) - Symphony No.2 in D/D-dur/ré majeur, Op.43 1.Allegretto - Poco allegro - Tranquilo, ma poco a poco ravvivando il tempo al allegro (00:00) 2.Tempo andante, ma rubato - Andante sostenuto (09:26) 3.Vivacissimo - Lento e suave - Largamente (22:07) 4.Finale. Allegro moderato (27:51) Royal Concertgebouw Orchestra George Szell Stéréo recording in 1964 Label : Philips « Where others have finished rehearsing, we are just beginning. » This statement about his work and artistic standards earned him the accusation of hubris, but in every concert and recording Szell proved how right was him claim. Understandably, other great orchestras viewed a professional encounter with the ironic, meticulous conductor with some apprehension. It is reputed that, shortly after the Second World War, after the first few bars of rehearsal of ‘Rosenkavalier’, this conductor with infallibly exact hearing coolly told the Viennese Philharmonic Orchestra (that curious combination of brilliance and laissez-faire) : « Gentlemen, you evidently don’t know this score. » When asked, in an interview in 1966, about the secret of his triumphs and the unique quality of his interpretations, which sought classical discipline rather than romantic exuberance, George Szell replied : ‘’ One must think with one’s heart and feel with one’s head.’' Beethoven - Symphony n°5 (reference recording : George Szell/Concertgebouw) https://www.youtube.com/watch?v=SvnWNtaTIOQ&list=PL3UZpQL9LIxOhkdci2M8WKMSVaf9WiF8x&index=10 Click to buy this recording : https://www.melomania.com/fr/beethoven-szell-symphonie-n5-op.67-26350/s

2 лет назад
Shostakovich - Symphonies 1,2,3,4,5,6,7,8,9,10,11,12,13,14,15 (Century rec. : Kirill Kondrashin)

Shostakovich - Symphonies 1,2,3,4,5,6,7,8,9,10,11,12,13,14,15 (Century rec. : Kirill Kondrashin)

Dmitri Dmitriyevich Shostakovich / Дмитрий Дмитриевич Шостакович (1906-1975) - THE 15 SYMPHONIES / NEW MASTERING Symphony n°1 In F, Op. 10 1. Allegretto (00:00) 2. Allegro, Meno Mosso (08:52) 3. Lento, Largo (13:35) 4. Allegro Molto (22:39) Symphony n°2 in B Major, Op 14 « October » (32:14) Choirs of the Russian Republic / Chorus master : Alexander Yourlov Symphony n°3 in E flat major, Op. 20 The First of May (48:59) Choirs of the Russian Republic / Chorus master : Alexander Yourlov Symphony n°4 In C Minor, Op. 43 1. Allegretto, Poco (1:15:20) 2. Moderato Con Moto (1:40:55) 3. Largo, Allegro (1:49:16) Symphony n°5 in D. Minor, Op. 47 1- Moderato. Allegro non troppo. Moderato (2:15:14) 2- Allegretto (2:28:56) 3- Largo (2:34:14) 4- Allegro non troppo (2:46:24) Symphony n°6 in B 1- Largo (2:57:20) 2- Allegro (3:10:49) 3- Presto (3:17:01) Symphony n°7 In C, Op. 60 « Leningrad » 1- Allegretto (3:24:03) 2- Moderato - Poco Allegretto (3:50:32) 3- Adagio (4:01:08) 4- Allegro Non Troppo (4:17:50) Symphony n°8 In C Minor, Op. 65 1. Adagio (4:35:17) 2. Allegretto (4:59:18) 3. Allegro Non Troppo (5:05:05) 4. Largo (5:11:09) 5. Allegretto (5:19:37) Symphony n°9 in E. Flat Major, Op. 7 1- Allegro (5:31:52) 2- Moderato - Adagio (5:36:52) 3- Presto (5:43:38) 4- Largo (5:46:22) 5- Allegretto - Allegro (5:49:29) Symphony n°10 in E.Minor, Op.93 1- Moderato (5:56:04) 2- Allegro (6:17:30) 3- Allegro - Largo (6:21:39) 4- Andante - Allegro (6:33:45) Symphony n°11 In G Minor, Op. 103 « Year 1905 » 1- The Palace Square - Adagio (6:45:10) 2- January 9th - Allegro (6:57:41) 3- In Memoriam - Adagio (7:15:11) 4- Tocsin - Allegro non troppo (8:25:42) Symphony n°12 In D Minor, Op. 112 « The Year 1917 » 1. Revolutionary Petrograd (7:39:07) 2. Razliv (7:52:01) 3. Aurora (8:02:41) 4. The Dawn Of Humanity (8:06:22) Symphony n°13 For Bass Solo, Bass Choir & Orchestra In B Flat Minor, Op. 113 « Babi Yar » 1. Babi-Yar - Adagio (8:16:06) 2. Humour - Allegretto (8:29:46) 3. In The Store - Adagio (8:37:52) 4. Fears - Largo (8:48:42) 5. A Career - Allegretto (8:58:31) Bass : Arthur Eisen / Choirs of the Russian Republic / Chorus master : Alexander Yourlov Symphony n°14 For Soprano, Bass, String Orchestra and Percussion, Op.135 1.De Profundis - Garcia Lorca (9:10:10) 2.Malaguena - Garcia Lorca (9:15:03) 3.Loreley (9:17:42) 4.The Suicide - Apollinaire (9:26:26) 5.On Watch! - Apollinaire (9:32:57) 6.Madam! - Apollinaire (9:36:13) 7.In the Santé - Apollinaire (9:38:14) 8.The Zaporogian Cossacks' Reply the the Sultan of Constantinople - Apollinaire (9:47:01) 9.O Delvig, Delvig! - Küchelbecker (9:48:54) 10.Death of the Poet - Rilke (9:53:10) 11.Conclusion - Rilke (9:57:47) Sopran : Evgenya Tselovalnik / Bass : Evgeny Nesterenko / Ensemble of soloists from the Moscow Philharmonic Orchestra Symphony n°15 in A. Major, Op. 141 1- Allegretto (9:59:06) 2- Adagio. Largo. Adagio. Largo (10:21:35) 3- Allegretto (10:35:23) 4- Adagio. Allegretto. Adagio. Allegretto (10:06:15) Moscow Philharmonic Orchestra Kirill KONDRASHIN Stéréo recording in 1961-62, 1964-65, 1967, 1972-75 New mastering in 2017 by AB Label : Melodiya A Life in 15 Symphonies « If my hands were cut off, I would continue to write music with the pen held between my teeth » (Shostakovich) Of Polish origin, Shostakovich extended the development of the symphony, which had only been established in Russia since the mid-1800s, well into the 20th century. At the age of 18, he wrote his Symphony n°1 and the genre was to stay with him throughout his career. He composed a new symphony at regular intervals and at key moments in his development. These bear witness both to his deepest anxieties and to tragic events in the history of his country. A brief examination of these fifteen symphonies is called for. Each marks a stage in the artist’s itinerary which became, over the years, like that of the great Russian writers, the conscience of his people. Dmitri Shostakovich PLAYLIST (reference recordings) https://www.youtube.com/playlist?list=PL3UZpQL9LIxOGmNLwRgFpWT1dJqSVrsgI Click to buy this recording : https://www.melomania.com/fr/chostakovitch-kondrashin-symphonies-integrale-18250/s

2 лет назад
Chopin - Complete Polonaises & Rare Pièces (reference recording : Jerzy Sterczynski)

Chopin - Complete Polonaises & Rare Pièces (reference recording : Jerzy Sterczynski)

Frédéric François Chopin (1810-1849) - Complete Polonaises & Rare Pièces Polonaises : Period of Maturity Op.26 No.1 en Ut dièse mineur (00:00) Op.26 No.2 en Mi bémol mineur (08:22) Op.40 No.1 en La Majeur ‘’Militaire’’ (16:57) Op.40 No.2 en Ut mineur (22:38) Op.44 en Fa dièse mineur (30:45) Op.53 en La bémol Majeur ‘’Héroïque’’ (41:45) Op.61 Polonaise-Fantaisie en La bémol (48:41) Polonaises : Youth Period En Sol mineur / 1817 (1:03:12) En Si bémol Majeur / 1817 (1:06:32) En La bémol Majeur / 1821 (1:09:54) En Sol dièse mineur / 1822-24 (1:14:56) En Si bémol mineur / 1826 (1:21:26) En Ré mineur / Op.posth. 71 No.1 (1:26:14) En Si bémol Majeur / Op.posth. 71 No.2 (1:32:01) En Fa mineur / Op.posth.71 No.3 (1:39:19) En Sol bémol Majeur / 1829 (1:47:19) Pièce Rares Bourrée No.1 en Sol Maj (1:55:29) Bourée No.2 en La Maj (1:56:13) Cantabile en Si bémol Maj (1:56:52) Contredanse en Sol bémol Maj (1:57:41) Fugue en Ré mineur (1:59:39) ‘’Wiosna’’ - Andantino en Sol Maj (2:02:26) Largo en Mi bémol Maj (2:03:27) Feuillet d’album - Moderato en Mi Maj (2:05:21) Marche funèbre / Edition Posth.Julien Fontana (2:06:40) Écossaise No.1 en Ré Maj (2:11:54) Écossaise No.2 en Sol Maj (2:12:51) Écossaise No.3 en Ré bémol Maj (2:13:31) Piano : Jerzy Sterczynski (http://www.chopin.edu.pl/pl/osobowe/jerzy-sterczynski) Recorded in 1989, 1992, at Poland Label : Chant du Monde According to historical sources, the ‘’Polish dance’’, later referred to as the Polonaise, was danced at early as 15 February 1574 at a welcome ball in Cracow’s royal castle in honour of Henry III of Valois, King of Poland. Its origin can be traced in wedding festivities. As the so-called ‘’walking dance’’, it became very popular with the Polish nobility across the country. Named the Polonaise in the 17th century, the Polish dance in moderate 3/4 time was unlike any dance of the day. In Poland, the Polonaise was a solemn dance of the propertied nobility as its lofty and formal style matched their pride and gallant manner. It was processional in character and consisted of a promenade in couples. They marched around the ballroom in a stately manner thus lending their movements a chivalrous quality. Apart from being a ballroom dance, the Polonaise played a political role : its rhythm provided the accompaniment for many a patriotic song. Polish émigrés introduced the Polonaise in France and soon it became popular all over Europe. Its influence can be found in the work of the greatest composers (Bach, Telemann, Mozart, Beethoven, Chopin…). Inspired by his Polish mistress, Karolina Sayn-Wittgenstein, Franz Liszt superbly characterized the Polonaise : ‘’This form is a manifestation of the noblest feelings and traditions of ancient Poland. One is struck by the unyielding determination and solemnity, which are said to have been the innate features of great Poles. There is a fighting spirit in these feelings and traditions, but the courage and gallantry are combined with the carefree attitude so typical of this chivalrous people. The Polonaises radiate calm and prudent strength and seem to convey the picture of the Poles from past ages which can be found in their chronicles - wide-shouldered and strong people who boasted sharp intelligence, piety and immense courage, people who were courteous and gallant in the field, before and after the battle. The great popularity the Polonaise enjoyed in 19th century in Poland can be proven by the fact that Frédéric Chopin, as a child, wrote his first music for this dance. What he must have found attractive about the Polonaise was its stately march like rhythm, courtly politeness, elegance and solemnity. Little Frédéric is said to have improvised in the Polonaise rhythm to the astonishment and delight of his parents and whoever happened to listen to him. Characterizing Chopin’s creative personality, Heinrich Heine pointed out its three national sources : ‘’Poland gave him the sense of chivalry and her historical suffering, France graceful elegance and charm, Germany visionary depth’’. Stanislaw Dybowski Click to buy this recording : https://www.amazon.com/Chopin-Polonaises-Complete-Frederic/dp/B000005EXB/ref=sr_1_2?keywords=jerzy+sterczynski&qid=1552840723&s=gateway&sr=8-2-spell Frédéric Chopin PLAYLIST (reference recordings) https://www.youtube.com/playlist?list=PL3UZpQL9LIxOd2d1F4YsbL4XLfB6zvRfj

3 месяцев назад
Bach - Goldberg Variations / Harpsichord (recording of the Century : Helmut Walcha)

Bach - Goldberg Variations / Harpsichord (recording of the Century : Helmut Walcha)

Johann Sebastian Bach (1685-1750) - Goldberg Variations, BWV 988 Aria (00:00) Variation I (03:11) Variation II (05:26) Variation III (07:10) Variation IV (09:50) Variation V (11:10) Variation VI (13:07) Variation VII (14:36) Variation VIII (16:21) Variation IX (18:53) Variation X (20:42) Variation XI (22:23) Variation XII (24:31) Variation XIII (27:21) Variation XIV (31:11) Variation XV (33:33) Variation XVI (36:53) Variation XVII (40:18) Variation XVIII (42:38) Variation XIX (44:18) Variation XX (45:21) Variation XXI (48:23) Variation XXII (50:39) Variation XXIII (52:11) Variation XXIV (54:28) Variation XXV (57:16) Variation XXVI (1:02:30) Variation XXVII (1:05:00) Variation XXVIII (1:07:13) Variation XXIX (1:09:51) Variation XXX (1:12:04) Aria Da Capo (1:13:52) Harpsichord/Clavecin/Cembalo : Helmut Walcha Stéréo recording in 1961 Label : EMI Johann Sebastian Bach PLAYLIST (reference recordings) https://www.youtube.com/playlist?list=PL3UZpQL9LIxOLRwxl1dEfDrH3c8mX5UB1 Click to buy this recording : https://www.amazon.com/BACH-GOLDBERG-VARIATIONS-WALCHA/dp/B00009PN8G/ref=sr_1_4?ie=UTF8&qid=1533637010&sr=8-4&keywords=bach+walcha+goldberg

2 лет назад
Classical Music for Relaxation

Classical Music for Relaxation

♫ Buy "100 Songs Piano" (MP3 album) on the Official Halidon Music Store: https://bit.ly/2R8Njly 🎧 Listen to "Classical Relax" on Spotify: http://spoti.fi/2APw28T ▶▶ Order “100 Songs Piano” (4CD Box Set) on Amazon: USA: https://amzn.to/2EI1BYi UK: https://amzn.to/2LWPasn DE: https://amzn.to/2Fd2d8i IT: https://amzn.to/2REBKWY FR: https://amzn.to/2C8dFyh ES: https://amzn.to/2ReNJLF CA: https://amzn.to/2sg0kiS MEX: https://amzn.to/2C6fN9E ▶▶ Order “100 Songs Piano” (4CD Box Set) on eBay: http://bit.ly/eBay100SongsPiano These tracks are available for sync licensing in web video productions, corporate videos, films, ads and music compilations. For further information and licensing please contact [email protected] Subscribe to our channel: http://bit.ly/YouTubeHalidonMusic Like us on Facebook: https://www.facebook.com/halidonmusic CLASSICAL MUSIC FOR RELAXATION 1 BEETHOVEN - Piano Concerto No. 1 in C Major, Op. 15: II. Largo 00:00 2 BEETHOVEN - Piano Concerto No. 3 in C Minor, Op. 37: II. Largo 09:31 3 BARBER - Adagio per Archi 20:48 4 BACH - Brandenburg Concerto No. 3 in G Major, BWV 1048: II. Adagio 27:51 5 BACH - Brandenburg Concerto No. 4 in G Major, BWV 1049: II. Andante 28:18 6 VIVALDI - The Four Seasons, Concerto No. 4 in F Minor, RV 297 "Winter": II. Largo 31:58 7 BACH - Orchestral Suite No. 2 in B Minor, BWV 1067: I. Ouverture. Lentamente 34:10 8 BACH-LODBELL - Ave Maria 41:56 9 CHOPIN - Douze études, Op. 25: No. 1 in A-Flat Major "Aeolian Harp" 43:40 10 DEBUSSY - Deux arabesques, L. 66: No. 1 in E Major, Andantino con moto 46:06 11 TCHAIKOVSKY - Serenade for Strings in C Major, Op.48: II. Valse 50:58 12 BRAHMS - Symphony No. 1 in C Minor, Op. 68: II. Andante sostenuto 54:55 13 BEETHOVEN - Symphony No. 6 in F Major, Op. 68 "Pastoral": II. Szene am Bach 1:03:17 14 MENDELSSOHN - Symphony No. 4 Op. 90 "Italian": II. Andante con moto 1:14:04 15 TCHAIKOVSKY - Symphony No. 6 in B Minor, Op. 74 "Pathétique": II. Allegro con grazia 1:20:45 16 BEETHOVEN - Bagatelle No. 25 in A Minor, WoO 59 "Für Elise" 1:28:40 17 MOZART - Piano Sonata No. 16 in C Major, K. 545 "For Beginners": II. Andante 1:32:29 18 SATIE – Trois Gymnopedies: No. 1, Lent et doloreux 1:36:15 19 CHOPIN - Nocturnes, Op. 9: No. 2 in E-Flat Major, Andante 1:39:03 20 BEETHOVEN - Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 "Moonlight Sonata": I. Adagio sostenuto 1:44:34 21 DEBUSSY - Préludes, Premier livre, L. 117: No. 8, La fille aux cheveux de lin 1:51:14 22 DEBUSSY - Suite bergamasque, L. 75: No. 3, Clair de lune 1:54:13 Tracks 1-7, 11, 13 & 14 performed by Orchestra da Camera Fiorentina (conducted by Giuseppe Lanzetta) Tracks 8, 17 & 18 performed by Carlo Balzaretti Tracks 9, 10, 16, 19-22 performed by Giovanni Umberto Battel Track 12 performed by Olsztyn Philharmonic Orchestra (conducted by Marek Tracz) Track 15 performed by Wroclaw Symphonic Orchestra (conducted by Natalia Ponomarchuk) Thank you so much for watching this video by Halidon Music channel, we hope you enjoyed it! Don't forget to share it and subscribe to our channel http://bit.ly/YouTubeHalidonMusic All the best classical music ever on Halidon Music Youtube Channel: The Best Classical Music Playlist Mix, The Best Classical Music For Studying, Classical Music For Reading, Classical Music For Concentration, Classical Music for Sleeping and Relaxation, Instrumental Music, Background Music, Opera Music, Piano, Violin & Orchestral Masterpieces by the greatest composers of all time. The very best of Mozart, Beethoven, Bach, Chopin, Tchaikovsky, Vivaldi, Schubert, Handel, Liszt, Haydn, Strauss, Verdi, Brahms, Wagner, Mahler, Rossini, Ravel, Grieg, Dvorák… #classicalmusic #piano #relaxation

2 лет назад
P.Tchaikovsky Complete Symphonies [ L.Maazel Vienna-PO ] (1960~64)

P.Tchaikovsky Complete Symphonies [ L.Maazel Vienna-PO ] (1960~64)

【TIMING】 1. Symphony#1 "Winter Daydreams" (0:00) 2. Symphony#2 "Little Russian" (42:23) 3. Symphony#3 "Polish" (1:15:06) 4. Symphony#4 (1:57:14) 5. Symphony#5 (2:37:37) 6. Symphony#6 "Pathetique" (3:22:26)

2 лет назад
Fauré - Requiem / Sicilienne / Suites (reference recording : Ernest Ansermet)

Fauré - Requiem / Sicilienne / Suites (reference recording : Ernest Ansermet)

Gabriel Fauré (1825-1924) Requiem, Op. 48 Introit & Kyrie (00:00) Offertoire (07:00) Sanctus (16:10) Pie Jesu (19:26) Agnus Dei (22:38) Libera Me (27:53) In Paradisum (33:16) Pelléas Et Mélisande Suite, Op. 80 « Sicilienne » (37:21) Pelléas Et Mélisande Suite, Op. 80 1. Prélude (41:11) 2. La Fileuse (47:00) 3. La Mort de Mélisande (50:07) 4. Sicilienne (54:18) Pénélope - Prelude (58:08) Masques Et Bergamasques Suite, Op. 112 1. Ouverture (1:06:06) 2. Menuet (1:09:34) 3. Gavotte (1:12:16) 4. Pastorale (1:15:27) Soprano : Suzanne Danco Baritone : Gerard Souzay L’Union Chorale de la Tour de Peilz Chef de Choeur : Robert Mermoud Orchestre de la Suisse Romande Chef : Ernest ANSERMET Stéréo recording in 1955 & 1961 Requiem : Remastering in 2017 by AB Label : DECCA Gabriel Fauré PLAYLIST (reference recordings) : https://www.youtube.com/playlist?list=PL3UZpQL9LIxPwwX_kYZ0ZyhcBsDttdtGC Click to buy the cd : https://www.amazon.com/Faure-Requiem-Ansermet/dp/B0000042EO/ref=sr_1_sc_2?s=music&ie=UTF8&qid=1523359264&sr=1-2-spell&keywords=faur%C3%A9+ensermet

2 лет назад
Mozart - Piano Concertos No.11,12,13,14,17,18,19 (recording of the Century : Lili Kraus/Simon)

Mozart - Piano Concertos No.11,12,13,14,17,18,19 (recording of the Century : Lili Kraus/Simon)

Wolfgang Amadeus Mozart (1756-1791) - Piano Concertos 11,12,13,14,17,18,19. A very big « THANKS » to Sony Music who authorized us to release this recording. Piano Concerto #11 in F major, K.413_ I.Allegro (00:00) Piano Concerto #11 in F major, K.413_ II.Larghetto (09:24) Piano Concerto #11 in F major, K.413_ III.Tempo di menuetto (17:14) Piano Concerto #12 in A major, K.414_ I.Allegro (23:04) Piano Concerto #12 in A major, K.414_ II.Andante (32:41) Piano Concerto #12 in A major, K.414_ III.Rondo. Allegretto (41:06) Piano Concerto #13 in C major, K.415_ I.Allegro (47:39) Piano Concerto #13 in C major, K.415_ II.Andante (58:15) Piano Concerto #13 in C major, K.415_ III.Rondeau_Allegro-Adagio-Allegro (1:05:43) Piano Concerto #14 in E flat major, K.449_ I.Allegro vivace (1:14:04) Piano Concerto #14 in E flat major, K.449_ II.Andantino (1:23:08) Piano Concerto #14 in E flat major, K.449_ III.Allegro ma non troppo (1:29:10) Piano Concerto #17 in G major, K.453_ I.Allegro (1:35:41) Piano Concerto #17 in G major, K.453_ II.Andante (1:47:16) Piano Concerto #17 in G major, K.453_ III.Allegretto - Finale_ Presto (1:56:19) Piano Concerto #18 in B flat major, K.456_ I.Allegro vivace (2:04:33) Piano Concerto #18 in B flat major, K.456_ II.Andante un poco sostenuto (2:16:26) Piano Concerto #18 in B flat major, K.456_ III.Allegro vivace (2:26:43) Piano Concerto #19 in F major, K.459_ I.Allegro (2:34:12) Piano Concerto #19 in F major, K.459_ II.Allegretto (2:46:43) Piano Concerto #19 in F major, K.459_ III.Allegro assai (2:55:02) Piano : Lili Kraus Vienna Festival Orchestra Direction : Stephen Simon Stréréo recording in 1965-66 New Mastering 2017 by AB Label : Sony During his brief life Wolfgang Amadeus Mozart produced a staggering number of compositions that touched upon numerous genre. Yet, if one were to ask where his most innovative contributions lie, it would arguably be within the realm of the classical piano concerto. The challenge for the late 18th-century composers was that of reconciling the Baroque concerto form’s strongest features (distinct timbral contrats between a solo instrumentalist and an orchestra, plus brillant solo writing) with the new style of sonata-allegro. An accomplished virtuoso himself, Mozart elevated the piano soloist’s function to new levels of expression, technique, and dramatic momentum. Consequently, the piano and orchestra were not merely equal partners, but distinct characters in their own right. Mozart’s concertos, however, were far from concert hall staples in the early 20th century. Yet the tide began to turn. A new generation of classically oriented keyboard luminaries, whose ranks included Wanda Landowska, Walter Gieseking, Edwin Fischer and Arthur Schnabel, helped further the cause, as did Lili Kraus. Kraus likened her affinity with Mozart to a mission : ''When I began to explore Mozart, I discovered the infinite beauty of that music, and somehow it is given to me to give life to that beauty. I find it my God-given duty, privilege, and if you like, cross, to consecrate my life to this music.'' Certain pianists and composers become inextricably linked in the eyes of the public. Mention Glenn Gould, for instance, and Bach’s Goldberg Variations come to mind. Artur Schnabel and Beethoven were virtually synonymous; so were Walter Gieseking and Debussy, Arthur Rubinstein and Chopin, Alicia de Larrocha and the Spanish Impressionists. When it came to Mozart’s piano music, several generations of listeners and collector considered Lili Kraus’s interpretations to be the last word… From the synopsis by Jed Distler Mozart - Piano Concertos 9 Jeunehomme,15,16,1,2,3,4,5,6,8 (Century's recording : Lili Kraus/Simon) https://www.youtube.com/watch?v=FHwmL8Md22w&list=PL3UZpQL9LIxMe6H3Sfn2lvPVFzrvhhPO7&t=33s&index=3 Mozart - Piano Concertos No.20,21,22,23,24,25,26,27 (recording of the Century : Lili Kraus/Simon) https://www.youtube.com/watch?v=jvRhkZLM__E&t=25s&list=PL3UZpQL9LIxMe6H3Sfn2lvPVFzrvhhPO7&index=1 Wolfgang Amadeus Mozart PLAYLIST (reference recordings) https://www.youtube.com/playlist?list=PL3UZpQL9LIxMe6H3Sfn2lvPVFzrvhhPO7 Click to buy the complete edition : https://www.amazon.com/Kraus-Plays-Mozart-Piano-Concer/dp/B01HSI7QDA/ref=sr_1_1?s=music&ie=UTF8&qid=1522751653&sr=1-1&keywords=lili+kraus+mozart

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Beethoven - Symphony No. 6 (Proms 2012)

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Prom 12: Beethoven Cycle -- Symphonies Nos. 5 & 6 Beethoven - Symphony No. 6 in F major, Op. 68 (Pastoral) 1 - Allegro ma non troppo 2 - Andante molto mosso 3 - Allegro 4 - Allegro 5 - Allegretto West--Eastern Divan Orchestra Daniel Barenboim, conductor Royal Albert Hall, 23 July 2012

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