ANNE-SOPHIE MUTTER ~ Mozart Violin Concerto # 3 in G major - Camerata Salzburg

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K.216 was Mozart's "break out" concerto for violin and orchestra with its flamboyant French style in its opening movement. Anne-Sophie Mutter plays and conducts the Camerata Salzburg Orchestra in another outstanding performance by the virtuoso violinist.
VISIT MY BLOG SITE for articles and commentary on great Music and Audiophile Sound: The Sound Advocate https://www.thesoundadvocate.com

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The Concerto for Flute, Harp, and Orchestra in C major, K. 299 is a piece by Wolfgang Amadeus Mozart for flute, harp, and orchestra. It is one of only two true double concertos that he wrote, as well as the only piece of music that Mozart wrote that contains the harp. The piece is one of the most popular such concerti in the repertoire, as well as often being found on recordings dedicated otherwise to either one of its featured instruments. The concerto was written in April 1778 by Mozart during his sojourn to Paris for the Court of Guînes. It was commissioned (although never paid for) from Mozart, by the flautist Duke of Guînes, Adrien-Louis de Bonnières, and his harpist daughter who was taking composition lessons from the composer. The soloists in the piece will sometimes play with the orchestra, and at other times perform as a duo while the orchestra is resting. The flute and harp alternate having the melody and accompanying lines. In some passages, they also create counterpoint with just each other. Mozart concertos are standard in how they move harmonically, as well as that they adhere to the three-movement form of fast--slow--fast: I. Allegro The orchestra states both themes. The first is immediately present, and the second is introduced by the horn. Both themes fall under the conventional sonata form. The soli then re-work the already present themes. I. Andantino The short phrases in this movement are introduced by the strings, and become lyrically extended. This further develops into variations on the theme. The cadenza in this movement leads to a coda, where the orchestra and soli focus on the lyrical theme. III. Rondeau -- Allegro The harmonic form is: A--B--C--D--C--B--{cadenza}--A(coda). Some music theorists feel that this is actually more of an arch than a typical rondo form, because music from the A section is still audible in the C and D sections. ----------------------------------------------------------------------------- FREE .mp3 and .wav files of all Mozart's music at: http://www.mozart-archiv.de/ FREE sheet music scores of any Mozart piece at: http://dme.mozarteum.at/DME/nma/start.php?l=2 ALSO check out these cool sites: http://musopen.org/ and http://imslp.org/wiki/ ------------------------------------------------------------------------- NOTE: I do not know who the performers of this are, nor the place and date of recording!!! Any suggestions are welcome. ------------------------------------------------------------------------------- ENJOY!!!! :D

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