Brahms - Violin Concerto / Sonata n°3 (recording of the Century : Ginette Neveu/Schimdt-Isserstedt)

Описание

Johannes Brahms (1833-1897)

Concerto pour Violon et Orchestre, en ré majeur, op.77
Allegro non troppo (00:00)
Adagio (22:21)
Allegro giocoso (32:04)

Violon : Ginette Neveu
NWDR Sinfonie-Orchester
Direction : Hans Schmidt-Isserstedt
Enregistrement Live, le 3 mai 1948
Remastering 2017 par AB
Label : Acanta

Sonate n°3 pour Piano et Violon, op.108
Allegro (40:03)
Adagio (48:08)
Un poco presto (53:05)
Presto agitato (56:09)

Violon : Ginette Neuveu
Piano : Jean Neveu
Enregistrement Live, le 21 septembre 1949
Remastering 2017 par AB
Label : Tahra

Ginette Neveu : née pour jouer du violon / born to play violin

"L'exécution du concerto de Brahms portait l'empreinte de la grande violoniste française Ginette Neuveu, faite de musicalité entraînante, de virtuosité et de brillance, de passion et de noblesse.’' Die Welt, 5 mai 1948

"La violoniste parisienne Ginette Neveu à donné une exécution parfaite du concerto de Brahms, avec une maîtrise, une virilité et une précision sonore extraordinaire." -- Hamburger Freie Presse, 5 mai 1948

"D'une incontestable classe internationale, la jeune violoniste française Ginette Neveu à joué le concerto de Brahms avec cette maîtrise géniale dont le secret réside dans la concentration et une discipline absolue. Elle l'a joué avec un talent insurpassable fait de déclamation plastique, de rythme et d'une ardeur musicale extrême." -- Hamburger Echo, 8 mai 1948

"Voici une petite fille qui est déjà un prodige de sensibilité et de technique. On sent une flamme, un don merveilleux. Le jeu coloré qu'elle sait mettre dans la moindre phrase dénote un tempérament artistique vraiment exceptionnel. » — Le petit Niçois, 24 janvier 1932

''Ginette neveu semble n’être venue sur terre que pour jouer du violon. Elle possède tous les dons du ciel : justesse, charme expression, vélocité.’’ — Le Figaro, 1932

‘’Melle Neveu possède au plus haut point cette musicalité française faite d’intelligence et de pureté de style, qui demeure la qualité profonde de notre école de violon (…) Elle possède une technique imbattable, une santé solide, la volonté de s’imposer au prix de n’importe quel effort. Elle est une élève attentive, si ardente et si vive, si travailleuse que je devais surtout l’empêcher de trop travailler…’’ — Jules Boucherie (son professeur) pour Excelsior, le 23 mars 1935 suite au premier prix remporté par Ginette Neveu au concours international de Varsovie
_______________

‘’The performance of the Brahms concerto by the great French violinist Ginette Neveu is full of driving musicality, rich with virtuosity and brillance, and filled with both passion and nobility.’’ Die Welt, 5 mai 1948

‘’The Parisian violonist Ginette Neveu’s performance of the Brahms concerto is perfect and virile, with an extraordinary precision of sound.’’ -- Hamburger Freie Presse, 5 mai 1948

‘’The young French violinist Ginette Neveu has confirmed her indisputable world class in the Brahms concerto, which she played with that special ingenious mastery that she alone possesses, whose ultimate secret is based on total concentration an absolute sense of discipline. Her unequalled talent is made up of a sense of rhythm, musical passion and the ability to shape the music.’’ — Hamburger Echo, 8 mai 1948

‘’Here is a young girl whose sensitivity and technique already have made her a prodigy. There is a flame that burns inside her, an unique and truly marvellous gift. The ability to color the most insignificant musical phrase shows a truly exceptional artistic temperament.’’ — Le petit Niçois, 24 janvier 1932

‘’Ginette Neveu seems to have been born just to play the violin. She has all God’s gifts : precision, charm, expressiveness, speed.’’ — Le Figaro, 1932

''Miss Neveu has this peculiar French musicality: part intelligence, part stylistic purity, and which is the true quality of our violin school (…) Ginette Neveu’s technique is unbeatable, her health is solid, her will to succeed is unlimited, whatever the effort. She is an attentive pupil, so enthusiastic, so lively, so hard-working that my real job is to prevent her working too much!’’ — Jules Boucherie (her teacher) for Excelsior, le 23 mars 1935 just after she won the international Competition in Warsaw

Johannes Brahms PLAYLIST (reference recordings)
https://www.youtube.com/playlist?list=PL3UZpQL9LIxOfigsjIfHNN6AuqZVVmfGR

Click to buy the cd : https://www.melomania.com/fr/brahms-neveu-concerto-pour-violon-et-orchestre-en-re-majeur-op.77-40928/s

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Antonín Dvořák (1841-1904) - Cello Concerto / Waldesruhe (Silent Woods) Cello Concerto in B minor, Op.104 Allegro (00:00) Adagio ma non troppo (15:22) Finale - Allegro moderato (28:38) Waldesruhe/Silent Woods, Op.68-5 (42:11) Cello : Jacqueline Du Pré The Chicago Symphony Orchestra Conductor : Daniel Barenboim Stéréo recording in 1970 Label : EMI (japanese edition/Grandmaster Series) Antonín Dvořák PLAYLIST (reference recordings) https://www.youtube.com/playlist?list=PL3UZpQL9LIxOmR1pAUFUL-0JK-EcbVFUG Click to buy this recording : https://www.amazon.com/Dvorak-Cello-Concerto-Haydn-Jacqueline/dp/B000002ROM/ref=sr_1_2?s=music&ie=UTF8&qid=1517839685&sr=1-2&keywords=du+pre+dvorak

2 лет назад
Ketèlbey, Massenet..-Thaïs

Ketèlbey, Massenet..-Thaïs "Meditation"..- Persian Market.. (Century's recording : Rogers/Sakonov)

The Immortal Works of Albert William Ketèlbey (1875-1959) / Violin Encores (Various Artists) Massenet_ Thaïs. Meditation** (00:00) Korngold_ Much Ado About Nothing - Garden Scene. Intermezzo** (04:44) Godard_ Berceuse De Jocelyn** (09:12) Albert William Ketèlbey (1875-1959) - Orchestral Works with Chorus* In A Monastery Garden (12:12) Wedgwood Blue (17:36) In The Mystic Land Of Egypt (21:40) Bells Across The Meadows (27:42) In A Chinese Temple-Garden (32:17) Sanctuary Of The Heart (38:10) Appy ‘Ampstead (42:08) The Phantom Melody (44:31) In A Persian Market (48:29) Hubay_ Hejre Kati, Op.22** (54:08) Tchaikovsky_ Valse Sentimentale Op.51 No.6** (56:56) Sternhold_ Fêtes Tzigane** (1:01:40) Heuberger, Waldberg, Léon_ Der Opernball. Im Chambre Separée** (1:05:00) Tchaikovsky_ None But The Lonely Heart** (1:08:50) Monti_ Czárdas** (1:12:12) Violin : Josef Sakonov Conductor : Eric Rogers *Royal Philharmonic Orchestra & Chorus Chorus Master : John Alldis **London Festival Orchestra Stéréo recording in 1969 & 1972 Label : Decca Ketelbey - The Best Music of Ketelbey (recording of the Century : John Lanchbery) https://www.youtube.com/watch?v=jCHx-5_rU5c&index=1&list=PL3UZpQL9LIxPbzCBMgcyfim4qU40RckSk Click to buy the cd : https://www.amazon.fr/Monastery-Garden-Immortal-Works/dp/B000004279/ref=sr_1_2?ie=UTF8&qid=1523357328&sr=8-2&keywords=ketelbey+rogers

2 лет назад
Itzhak Perlman: Brahms - Violin Concerto in D major, Op. 77

Itzhak Perlman: Brahms - Violin Concerto in D major, Op. 77

Live recording from 1978 Lawrence Foster - conductor Itzhak Perlman - violin The Philarmonia Orchestra of London Johannes Brahms - Concerto in D, Opus 77 1:17 1st movement - Allegro non troppo (D major) 25:26 2nd movement - Adagio (F major) 35:25 3rd movement - Allegro giocoso, ma non troppo vivace – Poco più presto (D major) A Christopher Nupen Film

3 лет назад
Grieg - Peer Gynt / Piano Concerto (reference recording : Øivin Fjeldstad / Clifford Curzon)

Grieg - Peer Gynt / Piano Concerto (reference recording : Øivin Fjeldstad / Clifford Curzon)

Edvard Hagerup Grieg / ˈɛdʋɑʁd ˈhɑːgəʁʉp ˈgʁɪg (1843-1907) Peer Gynt incidental Music / Piano Concerto Peer Gynt, op.23 Incidental Music to the play by Henrik Ibsen Prelude (00:00) Morning mood (05:14) The death of Ase (09:53) Anitra’s dance (14:27) In the hall of the Mountain King (18:01) Ingrid’s abduction and lament (20:47) Arabian dance (24:42) Peer Gynt’s homecoming (29:27) Solveig’s song (32:08) Dance of the Mountain King’s daughter (38:02) Piano Concerto in A minor/la mineur/a-Moll, op. 16** Allegro molto moderato (39:57) Adagio (52:41) Allegro moderato molto e marcato (58:46) London Symphony Orchestra London Philharmonic Orchestra** Conductor : Øivin Fjeldstad Piano : Clifford Curzon Stéréo recordings in 1958,1959 Label : DECCA Edvard Grieg PLAYLIST (reference recordings) https://www.youtube.com/playlist?list=PL3UZpQL9LIxPLjRX-7KRf5aFdsLFR2me4

2 лет назад
Brahms Double Concerto in A minor, Perlman, Rostropovich

Brahms Double Concerto in A minor, Perlman, Rostropovich

1. Allegro 0:00 2. Andante 16:51 3. Vivace non troppo 24:36 Royal Concertgebouw Orchestra Bernard Haitink Conductor

5 лет назад
Franck - Prélude, Choral & Fugue - Prélude, Aria & Final (ref. recording : G.Thyssens-Vanlentin)

Franck - Prélude, Choral & Fugue - Prélude, Aria & Final (ref. recording : G.Thyssens-Vanlentin)

César Franck (1822-1890) - Piano Works Prélude, choral et fugue en Si mineur I.Prélude (00:00) II.Choral (05:48) III.Fugue (13:01) Prélude, aria et finale en Mi Majeur I.Prélude (21:28) II.Aria (31:55) III.Finale (39:03) Piano : Germaine Thyssens-Valentin Recorded in 1954, at Paris New Mastering in 2019 Comme son titre l’annonce, le pRélude, choral et fugue reflète la volonté de Franck de réhabiliter les anciennes formes musicales austères que les Romantiques, dans l’ivresse de la victoire, avaient rejetées avec tant d’aplomb. Les mouvements s’organisent tous trois autour de l’unique motif animant le choral, bien que, comme dans le Prélude, aria et finale, il n’y ait pas de transmutation dans le sens lisztien du terme mais plutôt une déclaration de foi de plus en plus passionnée. A son apogée, la fugue réunit tous les éléments rencontrés auparavant, laissant une impression inoubliable d’élan émotionnel violemment revigoré. Et comme dans la coda exultante, l’art avec lequel Francl se garde de tomber dans ce que Cortot, typiquement français dans sa méfiance à l’égard de toute solennité excessive, appelle sur un ton moqueur son côté ‘artisan d’ église’, est un triomphe complet. Le Prélude, aria et finale abonde en moments forts d’une puissance poétique inoubliable et profondément émouvante. De façon tout à fait typique, toute exubérance éventuelle dans l’Aria se métamorphose en une rêverie extasiée et intemporelle dans la coda. Les octaves scindés menaçants et explosifs du Finale sont résolus comme par magie lorsque l’Aria subit un remaniement mystérieux et très subtil sur le plan harmonique dans une autre coda où la musique tourmentée est apaisée avec une évanescence très fauréenne avant un ultime carillon au loin, apothéose de tout ce qui a précédé. César Franck PLAYLIST (reference recordings) : https://www.youtube.com/playlist?list=PL3UZpQL9LIxPZZD0eAt2flhQdm5y9RaBZ

2 месяцев назад
Mozart - The Violin Concertos n°1,2,3,4,5,6,7 (recording of the Century : Josef Suk/Hlaváček)

Mozart - The Violin Concertos n°1,2,3,4,5,6,7 (recording of the Century : Josef Suk/Hlaváček)

Wolfgang Amadeus Mozart (1756-1791) The complete Violin Concertos 1-7, Rondos & Adagio. Konzert für Violine und Orchester No.1 B-dur / in B flat / Si bemolle maggiore, K 207 Allegro moderato (00:00) Adagio (07:29) Presto (15:38) Konzert für Violine und Orchester No.2 D-Dur / in D / Re maggiore, K 211 Allegro moderato (21:18) Andante (29:37) Rondeau - Allegro (37:19) Konzert für Violine und Orchester No.3 G-dur / in G / Sol maggiore, K 216 Allegro (42:02) Adagio (50:43) Rondo - Allegro (59:24) Adagio KV 261 für Violine und Orchester E-dur / in E / Mi maggiore (1:05:40) Rondo KV 269 für Violine und Orchester B-dur / in B flat / Si bemolle maggiore (1:13:49) Rondo KV 373 für Violine und Orchester C-dur / in C / Do maggiore (1:20:00) Konzert für Violine und Orchester No.4 D-dur / in D / Re maggiore KV 218 Allegro (1:25:19) Andante cantabile (1:34:55) Rondeau - Andante grazioso - Allegro ma non troppo (1:42:05) Konzert für Violine und Orchester No.5 A-dur / in A / La maggiore K 219 Allegro aperto (1:49:24) Adagio (1:59:04) Rondeau - Tempo di Menuetto - Allegro (2:10:02) Konzert für Violine und Orchester No.6 Es-dur / E flat / Mi bemolle maggiore K 268 Allegro moderato (2:19:11) Un poco Adagio (2:30:50) Rondo - Allegretto (2:36:59) Konzert für Violine und Orchester No.7 D-dur / in D / Re maggiore KV 271i Allegro maestoso (2:43:05) Andante (2:54:39) Rondo - Allegro (3:02:27) Violine : Josef Suk Prague Chamber Orchestra Conductor : Libor Hlaváček Stéréo recordings in 1972-73 Label : Eurodisc Wolfgang Amadeus Mozart was still a very young child when he received his first violin lessons, lessons that were based in all likelihood on the violin tutor published in 1756 by is father, Leopold, who was employed at that time as a violinist in the service of the prince-archbishop of Salzburg. If contemporary accounts may be trusted, the young Mozart must have been highly proficient on the instrument, since he too was employed as a violinist in the local orchestra during his years in Salzburg. His special relationship with the violin finds its sonatas that he wrote in the course of his life. The violin concerto, by contrast, was a genre that caught his attention only once, all five of his contributions to the medium dating from 1774/75. There are five official concertos. But, much remains unclear, however. There is also, a concerto in E flat (K.268), but its authenticity is ope to question, while the D Violin Concerto (K 271i) survives only in the form of a late transcription made in Paris in the 19th century, the original form of which can no longer be reconstructed with any certainty. Britta Sweers The violin virtuoso and conductor Josef Suk (1929-2011) is a representative of a line of Czech performing art of the past. He has developed the legacy of his excellent teachers, mainly Jaroslav Kocian and his grandfather, the composer Josef Suk, who for a long-time was a member of the famed Czech Quartet. From the beginning of his solo career Suk has also been interested in chamber playing, and was for a short time the first violinist of the Prague Quartet (1950–52), and then for a long time of the Suk Trio, which he had established in 1951. In 1961 he was appointed soloist of the Czech Philharmonic Orchestra. Suk has a special liking for the viola, the instrument of his great grandfather Antonín Dvořák. In 1981 he became the artistic leader and conductor of the Suk Chamber Orchestra. His recordings have won various prizes, such as the Grand Prix du disque de l´Academie Charles Cros in Paris six times, in 1972 he won the Edison Prize in Holland, in 1974 the “Wiener Flötenuhr” prize of the Mozart Society in Vienna, and many others. In 1977 Josef Suk received the Golden Disc of Culumbia, the Golden Disc of Supraphon in 1986 and in 1999 he was granted the Platinum Disc of Supraphon for 1,112,000 recordings sold. He has been a teacher of violin playing and has sat on many juries of international competitions. He has also taken part in the work of foundations such as the Dvořák Foundation for Young Performers in Prague. He is president and chairman of the artistic board of the Prague Spring International Music Festival.. http://www.antonindvorak2004.cz Wolfgang Amadeus Mozart (1756-1791) PLAYLIST (references recordings) https://www.youtube.com/playlist?list=PL3UZpQL9LIxMe6H3Sfn2lvPVFzrvhhPO7 Click to buy this recording : https://www.amazon.com/Mozart-Violin-Concertos-Nos-Josef/dp/B01K8MV2RE/ref=sr_1_13?ie=UTF8&qid=1525017343&sr=8-13&keywords=josef+suk+mozart

1 лет назад
L.V.Beethoven Complete Violin-Sonatas [ A.Grumiaux & C.Haskil ] (1957)

L.V.Beethoven Complete Violin-Sonatas [ A.Grumiaux & C.Haskil ] (1957)

【TIMING】 1. Violin-Sonata#1 (0:00) 2. Violin-Sonata#2 (18:14) 3. Violin-Sonata#3 (32:57) 4. Violin-Sonata#4 (51:36) 5. Violin-Sonata#5 "Spring" (1:08:08) 6. Violin-Sonata#6 (1:31:04) 7. Violin-Sonata#7 (1:51:10) 8. Violin-Sonata#8 (2:16:23) 9. Violin-Sonata#9 "Kreutzer" (2:33:43) 10. Violin-Sonata#10 (3:07:33)

2 лет назад
Brahms - 10 Intermezzi (recording of the Century : Glenn Gould)

Brahms - 10 Intermezzi (recording of the Century : Glenn Gould)

Johannes Brahms (1833-1897) - 10 Intermezzi for Piano Intermezzo No.1 in E-flat Major, Op. 117 - Andante moderato (00:00) Intermezzo No.2 in B-flat minor, Op. 117 Andante non troppo e con molta espressione (05:33) Intermezzo No.3 in C-sharp minor, Op. 117 - Andante con moto (11:00) Intermezzo No.6 in E-flat minor, Op. 118 - Andante, largo e mesto (16:18) Intermezzo No.4 in E Major, Op. 116 - Adagio (22:16) Intermezzo No.7 in A minor, Op. 76 - Moderato semplice (26:33) Intermezzo No.6 in A Major, Op. 76 - Andante con moto (30:30) Intermezzo No.1 in B minor, Op. 119 - Adagio (32:41) Intermezzo No.1 in A minor, Op. 118 - Allegro non assai, ma molto appassionato (35:03) Intermezzo No.2 in A Major, Op. 118 - Andante teneramente (36:06) Piano : Glenn Gould Stéréo recording in 1960/61 Label : Columbia/Sony Brahms - 16 Waltzes / 6 Klavierstücke / Handel Variations (reference recording : György Sebök) https://www.youtube.com/watch?v=LnmRIv8xigY&index=9&list=PL3UZpQL9LIxOfigsjIfHNN6AuqZVVmfGR Johannes Brahms PLAYLIST (reference recordings) https://www.youtube.com/playlist?list=PL3UZpQL9LIxOfigsjIfHNN6AuqZVVmfGR

2 лет назад
Brahms - Piano Concerto No.2 (recording of the Century : Emil Gilels/Reiner)

Brahms - Piano Concerto No.2 (recording of the Century : Emil Gilels/Reiner)

Johannes Brahms (1833-1897) Piano Concerto No.2 in B-flat Major, Op.83 Allegro non troppo (00:00) Allegro appassionato (16:06) Andante / Solo Cello : Janos Starker (24:21) Allegretto grazioso (36:26) Piano : Emil Gilels Chicago Symphony Orchestra Conductor : Fritz Reiner Stéréo recording in 1958, at Chicago Label : BMG/JVC/SONY (japanese edition) Johannes Brahms PLAYLIST (reference recordings) : https://www.youtube.com/playlist?list=PL3UZpQL9LIxOfigsjIfHNN6AuqZVVmfGR Click to buy the cd : https://www.amazon.fr/Gilels-Reiner-Chicago-Symphony-allemand/dp/B002BCOXM6/ref=sr_1_12?ie=UTF8&qid=1518203339&sr=8-12&keywords=reiner+gilels

1 лет назад
Chopin - The 21 Nocturnes (recording of the Century : Claudio Arrau)

Chopin - The 21 Nocturnes (recording of the Century : Claudio Arrau)

Frédéric François Chopin (1810-1849) - Les 21 Nocturnes Op.9, 15, 27 ,32, 37, 48, 55, 62, 72 & Posth. n°1 in B flat minor * b-moll * en si bémol, Op.9/1 (00:00) n°2 in E flat * Es-dur * en Mi bémol, Op.9/2 (5:50) n°3 in B * H-dur * en Si Op.9/3 (10:30) n°4 in F * F-dur * en Fa, Op.15/1 (17:49) n°5 in F sharp * Fis-dur * en Fa dièse, Op.15/2 (22:55) n°6 in G minor * g-moll * en sol, Op. 15/3 (26:44) n°7 in C sharp minor * cis-moll * en ut dièse, Op.27/1 (31:28) n°8 in D flat * Des-dur * en Ré bémol, Op.27/2 (36:57) n°9 in B * H-dur * en Si, Op.32/1 (43:18) n°10 in A flat * As-dur * en La bémol, Op.32/2 (49:00) n°11 in G minor * g-moll * en Sol, Op.37/1 (54:21) n°12 in G * G-dur * en Sol, Op.37/2 (1:00:39) n°13 in C minor * c-moll * en ut, Op.48/1 (1:08:45) n°14 in F sharp minor * fis-moll * en fa dièse, Op. 48/2 (1:15:07) n°15 in F minor * f-moll * en fa, Op. 55/1 (1:22:58) n°16 in E flat * Es-dur * en Mi bémol, Op.55/2 (1:28:43) n°17 in B * H-dur * en S, Op.62/1 (1:34:15) n°18 in E * E-dur * en Min Op.62/2 (1:42:00) n°19 in E minor * e-moll * en mi, OP.72/1 (1:49:15) n°20 in C sharp minor * cis-moll * en ut dièse, Op.posth. (1:53:30) n°21 in C minor * c-moll * en ut, Op.posth. (1:58:00) Piano : Claudio Arrau Stéréo recording in 1977-78 Label : Philips L’atmosphère profondément intériorisée des Nocturnes, leur aspect de murmure tourné vers soi, à rebours de tout effet spectaculaire, est en fait ce qu’il y a de plus difficile à rendre. L’extrême pudeur et l’extrême poésie d’Arrau qui égrène chaque note, chaque arabesque, chaque inflexion du piano avec une retenue presque douloureuse donnent à ces Nocturnes quelque chose de poignant. Se remémorant, au creux d’une nuit qui pourrait être ultime, les tendresses qui l’ont effleuré, les drames qui l’on griffé, les rêveries qui l’ont bercé, Arrau, à travers Chopin, dialogue avec lui-même et l’on est presque gêné d’être présent. Son piano, aux sonorités chaudes ou argentées, automnales ou apaisées, est comme un carnet intime sur lequel il note des secrets en se les fredonnant, avec une poignée de souffle qui vient embuer la vitre devant laquelle il veille. Au creux de cette nuit qu’on partage avec lui, c’est toute une vie qui passe en vingt et un poèmes envoûtants qui sont vingts et un chefs d’oeuvres recréés. Le guide Alain Duault. Frédéric François Chopin PLAYLIST (reference recordings) https://www.youtube.com/playlist?list=PL3UZpQL9LIxOd2d1F4YsbL4XLfB6zvRfj Claudio Arrau : The Emperor (A film in English - Español Subtitulado) / The Emperor Concerto https://www.youtube.com/watch?v=lqFGXwomwOw&list=PL3UZpQL9LIxOhkdci2M8WKMSVaf9WiF8x&index=6 Click to buy this recording : https://www.amazon.com/Chopin-Nocturnes-1-21-Claudio-Arrau/dp/B0000040Y2/ref=sr_1_3?s=music&ie=UTF8&qid=1517846346&sr=1-3&keywords=arrau+chopin+nocturnes

4 лет назад
Beethoven/Brahms - Triple Concerto / Double Concerto (Century's rec. : Schneiderhan/Anda/Fricsay..)

Beethoven/Brahms - Triple Concerto / Double Concerto (Century's rec. : Schneiderhan/Anda/Fricsay..)

Ludwig Van Beethoven (1770-1827) Concerto for Piano, Violin, Cello and Orchestra in C, Op.56 I.Allegro (00:00) II.Largo - attacca (18:10) III.Rondo alla Polacca (23:13) Johannes Brahms (1833-1897 Concerto for Violin, Cello and Orchestra in A minor Op.102 I.Allegro (36:54) II.Andante (53:50) III.Vivace non troppo (1:02:00) Violin : Wolfgang Schneiderhan Cello : Janos Starker / Pierre Fournier Piano : Géza Anda Berlin Radio Symphony Orchestra Conductor : Ferenc Fricsay Stéréo recordings in 1960-61 Label : Deutsche Grammophon (Japanese edition) Avec son Triple concerto, Beethoven fait ce que personne n'avait osé faire avant lui. Trois solistes réunis en une seule œuvre à mi-chemin entre le concerto, la musique de chambre et la symphonie. Composé en 1803, en même temps que la célèbre Symphonie Héroïque, il ouvre grand les portes du romantisme et de nouvelles planètes musicales..  — Deux solistes pour un concerto ! Brahms composa son Double Concerto en signe de réconciliation avec le violoniste József Joachim, dont il avait pris parti pour l’épouse lors de leur divorce. Le duo instrumental est un parfait témoin de cette amitié renouvelée. Jamais violon et violoncelle ne se jalousent ; là encore, ce serait presque de la musique de chambre dans un écrin symphonique.. Ludwig Van Beethoven PLAYLIST (reference recordings) https://www.youtube.com/playlist?list=PL3UZpQL9LIxOhkdci2M8WKMSVaf9WiF8x Johannes Brahms PLAYLIST (reference recordings) https://www.youtube.com/playlist?list=PL3UZpQL9LIxOfigsjIfHNN6AuqZVVmfGR

6 месяцев назад