Hey everyone~! Please consider a donation, https://www.voicesofmusic.org/donate.html
and we will make more videos like this one :)
Vivaldi's Concerto for solo baroque violin and strings in F Minor, "Winter" (L'Inverno, RV 297), performed by Cynthia Miller Freivogel and the Early Music ensemble Voices of Music.
Voices of Music FAQ
Q. How can I support Voices of Music?
A. Donate here: https://voicesofmusic.org/donate.html and we will make more
videos like this one :) These videos cost thousands of dollars to make, and the money comes from individual donors.
Q. Where can I learn more about this music?
A. You can visit our website, https://www.voicesofmusic.org/ Also, subscribe to our video channel! Just click on the logo on our videos.
Q. Where can we hear you play in concert?
A. We perform in the San Francisco Bay Area. For a concert schedule, visit our website or join our mailing list https://www.voicesofmusic.org/
Q. Where can I buy CDs?
A. Our CDs are available on iTunes, Google, Amazon, CD Baby and just about everywhere; you can also buy a CD in a jewel case from Kunaki: https://www.voicesofmusic.org/cds.html
Q. What is Early Music performance, or historical performance?
A. We play on instruments from the time of the composers, and we use the original music and playing techniques: it’s a special sound.
Q. Why are there no conductors?
A. Conductors weren’t invented until the 19th century; since we seek to recreate a historical performance, the music is led from the keyboard or violin, or the music is played as chamber music~or both :)
Q. What are period instruments or original instruments; how are they different from modern instruments?
A. As instruments became modernized in the 19th century, builders and players tended to focus on the volume of sound and the stability of tuning. Modern steel strings replaced the older materials, and instruments were often machine made. Historical instruments, built individually by hand and with overall lighter construction, have extremely complex overtones—which we find delightful. Modern instruments are of course perfectly suited to more modern music.
Q. Why is the pitch lower, or higher?
A. Early Music performance uses many different pitches, and these pitches create different tone colors on the instruments. See https://goo.gl/pVBNAC
Vivaldi's brilliant concerto is here presented complete in 4K, ultra high definition video, performed on original instruments. For this video, a new edition was prepared from the original sources, prints and manuscripts for Vivaldi's music. In addition, a digital overlay has been created for Vivaldi's sonnets which were inlaid into the original engraving: click the CC button to view the sonnet and the gear icon to choose your preferred language.
Voices of Music is creating a worldwide digital library of music videos, recordings and editions, free for anyone in the world. To
support this vital project, which will enable new generations of people all around the world to enjoy Classical music, please consider a tax-deductible donation or sponsor a recording
project. With your help, anything is possible!
Voices of Music continues our groundbreaking work as a pioneer in the new field of Ultra-High definition video. Although the Four Seasons is the most recorded work in Classical music, this is the first time that the work is made freely available in this format, and performed on period instruments. Your donations will keep the presses running!
Voices of Music
Hanneke van Proosdij & David Tayler, directors
Maria Caswell, baroque viola, anonymous, Mittenwald, c1800
Cynthia Miller Freivogel, baroque violin by Johann Paul Schorn, Salzburg, Austria, 1715
Lisa Grodin, baroque violin by Paulo Antonio Testore, Larga di Milano, Italy, 1736
Katherine Heater, baroque organ by Winold van der Putten, Finsterwolde, Netherlands, 2004, after early 18th-century northern German instruments
Carla Moore, baroque violin by Johann Georg Thir, Vienna, Austria, 1754
Maxine Nemerovski, baroque violin by Joseph Gaffino, Paris, 1769
Farley Pearce, violone by George Stoppani, Manchester, 1985, after Amati, 1560
Hanneke van Proosdij, Italian single manual harpsichord by Johannes Klinkhamer, Amsterdam, 2000, after Cristofori, Florence, c1725
Elisabeth Reed, baroque cello, anonymous, 1673
David Tayler, archlute by Andreas von Holst, Munich, 2012
after Magno Tieffenbrucker, Venice, c1610
Tanya Tomkins, baroque cello, Lockey Hill, London, England, 1798
Gabrielle Wunsch, baroque violin by Lorenzo Carcassi, Florence, Italy, 1765
3 лет назад