Bach trifft Friedrich

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Einer der genialsten Musiker die es je gab...

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What Made Bach Great? Johann Sebastian Bach 1685-1750 (edit)

What Made Bach Great? Johann Sebastian Bach 1685-1750 (edit)

In this episode we explore the life and music of Johann Sebastian Bach 1685-1750. Photography in Leipzig by Fabian Pape THE BEATO CLUB → https://flatfiv.com/pages/become-a-beato-club-member BUY THE BEATO BOOK HERE → http://bit.ly/2uTQFlo Follow my Instagram - https://www.instagram.com/rickbeato1/ **Advanced Harmonic Concepts for Composition and Improvisation Video Course** → www.flatfiv.com SUBSCRIBE HERE → http://bit.ly/2eEs9gX BEATO MUSIC FORUM → forum.rickbeato.com —————————————————————————————————————— My Links to Follow: YouTube - https://www.youtube.com/c/RickBeato Personal Facebook - https://www.facebook.com/rick.beato.1 Follow On Twitter - @rickbeato —————————————————————————————— Special Thanks to My Supporters: Brett Bottomley Christian Abuan Zack Kirkorian Orion Letizi Andrew Boyd Mike Voloshen Ashley Thompson Matt Pauley Nickola Pazderic jonathan taylor Peter Pillitteri Chris Defendorf Peter Moore Jeremy Hickerson Alex Paclin Travis Ahrenholtz Sam Slotnick Harry Watson Eric Bourassa John Null Neil LaHurd Morgan King Steve Greenberg Scott Tyburski Chris Mitchell Kenny Jaworski Michael Seim Todd Geisler Charles Bull Roger Frankham Dave Hawkey Terrance Bessey Jesse West Eric Waisman Craig Sayer Michael Akraka Scott Rance Mansel Ismay Blayne Brocious Paul Noonan Frederick Humphrey JP Rosato Otabek Salamov Jean Belanger Eddie Garcia Mayank Sanganeria Maydad Meiri Philip Lobb Dennis Tomlinson Terry Morin Ray Rossetti Dan Sullivan Marc Alan David Dodini David Horvath Ghostly Beard Ryan Sullivan Phantomas Trehr Jason Hendricks Rip Winkler Andrew Boyd Will Elrics

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J.S. Bach: Prelude in C Minor

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The prelude in C Minor by Johann Sebastian Bach, performed on the archlute by David Tayler. Voices of Music FAQ Q. How can I support Voices of Music? A. Donate here: https://voicesofmusic.org/donate.html and we will make more videos like this one :) These videos cost thousands of dollars to make, and the money comes from individual donors. Q. Where can I learn more about this music? A. You can visit our website, https://www.voicesofmusic.org/ Also, subscribe to our video channel! Just click on the logo on our videos. Q. Where can we hear you play in concert? A. We perform in the San Francisco Bay Area. For a concert schedule, visit our website or join our mailing list https://www.voicesofmusic.org/ Q. Where can I buy CDs? A. Our CDs are available on iTunes, Google, Amazon, CD Baby and just about everywhere; you can also buy a CD in a jewel case from Kunaki: https://www.voicesofmusic.org/cds.html Q. What is Early Music performance, or historical performance? A. We play on instruments from the time of the composers, and we use the original music and playing techniques: it’s a special sound. Q. Why are there no conductors? A. Conductors weren’t invented until the 19th century; since we seek to recreate a historical performance, the music is led from the keyboard or violin, or the music is played as chamber music~or both :) Q. What are period instruments or original instruments; how are they different from modern instruments? A. As instruments became modernized in the 19th century, builders and players tended to focus on the volume of sound and the stability of tuning. Modern steel strings replaced the older materials, and instruments were often machine made. Historical instruments, built individually by hand and with overall lighter construction, have extremely complex overtones—which we find delightful. Modern instruments are of course perfectly suited to more modern music. Q. Why is the pitch lower, or higher? A. Early Music performance uses many different pitches, and these pitches create different tone colors on the instruments. See https://goo.gl/pVBNAC Bach's prelude BWV 999 features a dialogue of two textures. The more present texture, which consists of an endless arpeggio in the treble range, is accompanied by a flat-footed bass line that is almost invariably composed of two melodic skips downwards. This bass pattern is varied only once, in the thirty-third bar (Bach loved to construct pattern in threes), where the work stabilizes in G Major before the final coda. In the arpeggiated part, long lines of counterpoint are carefully woven into the chordal texture, also resolving in the thirty-third bar with the bass line. In the middle section of the work, the stepwise motion of the bass settles on a long pedal point on D which oscillates briefly with the E Flat a half step higher; the E Flat is the pivot point between the two keys of C Minor and G Major. To use Richard Crocker's term, the arpeggios "ruffle" the homophony, and Bach uses his genius to create a small gem of a prelude from the different textures and harmonies. The original manuscript for the prelude includes the rubric "pour le luth" (for the lute), and the work can be performed on different types of lutes or keyboards including the lute harpsichord, and sounds well on all of these. On the lute, the performer can use dynamics to accentuate some of the contrapuntal lines, but the work is equally persuasive on the keyboard. Pitch A=415; temperament: Neidhardt-Doodle Visit us on the web at http://voicesofmusic.org/ Archlute by Andreas von Holst #Bach #Prelude #LuteSuite

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Scene from the movie in which Handel is invited to take part in a competition with the famous composer Domenico Scarlatti. They both along with Bach were born in the same year of 1685. The scene is based on a real event when both composers were aged 23, both being judged equal on the Harpsichord while Handel adjudged the winner on the Organ. Both had enormous mutual respect for each other and it is said that Scarlatti, later in life, was known to cross himself in veneration when speaking of Handel's skill

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Though the composition is public domain, the performance belongs to the record label that recorded the following performer (see YouTube's attributes in the full description): Hannes Kästner Album: Bach, J.S.: Organ Music - Preludes and Fugues - Toccata and Fugue in D Minor - Chorales Preludes. This album was released in 1988 and it's also available on ITunes : https://itunes.apple.com/ca/album/bach-j-s-organ-music-preludes-fugues-toccata-fugue/id389168578

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Johann Sebastian Bach: Konzert für vier Klaviere und Orchester a-Moll BWV 1065 Live-Mitschnitt aus dem Katharinensaal der HMT-Rostock vom 23.05.2013 Hans-Peter und Volker Stenzl, Sonja Loncar und Andrija Pavlovic (LP-Duo), Klavier Stefan Hempel - Violine, Holger Wangerin - Violine, Haruka Abe - Viola, Thomas Kaufmann - Violoncello

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This clip is absolutely sensational: as education, composition and in performance. Glenn Gould was 28 years old here. For the impatient, Gould's performance begins at 5:08, but I strongly encourage you to watch Leonard Bernstein's fascinating introduction. This film originally aired in 1960 on CBS Television as part of its "Ford Presents" series. The entire film in high quality (of which this clip is a small part) was painstakingly hunted down by YouTuber erp65 and his friends. It can be found here, and I urge you, I really DO urge you, to see it in its entirety: https://youtu.be/9Nx09pigZRI I have sought erp65's permission to cross-post, as a courtesy, but I have not yet heard back. Meanwhile, my abject enthusiasm got the better of me. This film has to be promulgated far and wide. This was erp65's entire intention here, and we owe him and his friends enormous thanks. New York Philharmonic Orchestra Conductor: Leonard Bernstein Piano: Glenn Gould

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Bach Double Violin Concerto - Yehudi Menuhin And David Oistrakh. Enregistrement de 1958 salle Pleyel orchestre de la RTF direction Philippe Capdevielle réalisé par Philippe Truffaut. Sir Yehudi Menuhin (plus tard Lord Menuhin of Stoke D'Abernon) est un violoniste et chef d'orchestre américain, né le 22 avril 1916 à New York et décédé le 12 mars 1999 à Berlin. Il est un enfant prodige, se produisant dès 1927 à Paris avec l'Orchestre Lamoureux et à New York au Carnegie Hall. Il est considéré comme l'un des plus grands violonistes du XXe siècle. David Fiodorovitch Oïstrakh (en russe : Давид Фёдорович Ойстрах), né le 30 septembre 1908 à Odessa et mort le 24 octobre 1974 à Amsterdam, est l'un des violonistes les plus réputés du XXe siècle. Violoniste et altiste, il a profondément influencé la technique de l'instrument, par sa maîtrise technique, sa déconcertante décontraction, sa virtuosité. Musicien, il a durablement marqué l'histoire de la musique au travers de la collaboration qu'il entretint avec de grands compositeurs qui lui dédiaient leurs œuvres. Son fils et disciple Igor Oïstrakh est également un violoniste réputé. "Sir Yehudi Menuhin (plus tard Lord Menuhin of Stoke D'Abernon) est un violoniste et chef d'orchestre américain, né le 22 avril 1916 à New York et décédé le 12 mars 1999 à Berlin. Il est un enfant prodige, se produisant dès 1927 à Paris avec l'Orchestre Lamoureux et à New York au Carnegie Hall. Il est considéré comme l'un des plus grands violonistes du XXe siècle. David Fiodorovitch Oïstrakh, né le 30 septembre 1908 à Odessa et mort le 24 octobre 1974 à Amsterdam, est l'un des violonistes les plus réputés du XXe siècle. Violoniste et altiste, il a profondément influencé la technique de l'instrument, par sa maîtrise technique, sa déconcertante décontraction, sa virtuosité. Musicien, il a durablement marqué l'histoire de la musique au travers de la collaboration qu'il entretint avec de grands compositeurs qui lui dédiaient leurs œuvres. Son fils et disciple Igor Oïstrakh est également un violoniste réputé."

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The Genius of Bach - Part 5 This is a movie about Johan Sebastian Bach which I made with a small crew and very low budget in my high school. It shows some of the most important parts of Johann Sebastian's life. The movie was filmed in Norway and Poland in 2011. Thank you so much for watching! If you enjoyed it please SUBSCRIBE to my channel and check also my other music videos.

7 лет назад
J.S. Bach: The Violin Concertos

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Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Tidal, Google Play):https://brilliant-classics.lnk.to/BachViolinConcertos Spotify Playlists: Brilliant Classics Spotify: https://brilliant-classics.lnk.to/Spotify The best of Liszt: https://brilliant-classics.lnk.to/Playliszt The best of Bach: https://brilliant-classics.lnk.to/BestOfBachPlaylist Most popular piano music: https://brilliant-classics.lnk.to/MostPopularPiano Beautiful classical Music: https://brilliant-classics.lnk.to/BeautifulClassicalMelodies Classical music for dinnertime: https://brilliant-classics.lnk.to/ClassicalMusicforDinnertime Composer: Johann Sebastian Bach Artists: Emmy Verhey (violin), Camerata Antonio Luco, Rainer Kussmaul (violin), Henk Rubingh (violin), Thomas Hengelbrock (violin), Amsterdam Bach (Soloists) About this album: Available as a separate release: all concertos for 1 violin by Bach. They are BWV 1041 and 1042: the well-known concertos. BWV1052, 1056 and 1064 are reconstructions. The latter one being for three violins. Soloists are among others Emmy Verhey and Rainer Kussmaul. Tracklist: 00:00:00 Violin Concerto in A Minor, BWV 1041: Allegro 00:03:52 Violin Concerto in A Minor, BWV 1041: Adagio 00:10:23 Violin Concerto in A Minor, BWV 1041: Allegro 00:14:22 Violin Concerto in E Major, BWV 1042: Allegro 00:22:05 Violin Concerto in E Major, BWV 1042: Adagio 00:28:47 Violin Concerto in E Major, BWV 1042: Allegro assai 00:31:42 Violin Concerto in D Minor, BWV 1052: Allegro 00:39:20 Violin Concerto in D Minor, BWV 1052: Largo 00:46:22 Violin Concerto in D Minor, BWV 1052: Presto 00:54:14 Violin Concerto in G Minor, BWV 1056: Allegro 00:57:37 Violin Concerto in G Minor, BWV 1056: Andante 01:00:52 Violin Concerto in G Minor, BWV 1056: Allegro assai 01:04:30 Concerto for 3 violins, strings & b.c. in D Major, BWV 1064: Allegro 01:10:23 Concerto for 3 violins, strings & b.c. in D Major, BWV 1064: Adagio 01:15:35 Concerto for 3 violins, strings & b.c. in D Major, BWV 1064: Allegro

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Bach - Toccata and Fugue in D minor BWV 565 - P. Barton, harmonic pedal piano

First recording of Bach's Toccata and Fugue in D minor with the harmonic piano pedal. I set up an overhead camera view in case any of you want fingering suggestions. The sheet music I used in this video is fairly close to the first link below. I just added octaves to bring out the pedal part in a few places. This piece was recorded in an average size room; the reverb you can hear is "sympathetic resonance" from the piano itself made possible by the harmonic pedal. http://www.facebook.com/paulbartonpiano Links to free piano score: http://imslp.org/wiki/Toccata_and_Fugue_in_D_minor,_BWV_565_%28Bach,_Johann_Sebastian%29 Go: "Arrangements and Transcriptions" Go: "Philip Addison Jones" * * * * * * * * * * Or: http://wikipiano.wikidot.com/archive:toccata-and-fugue-in-d-minor-bwv-565 * * * * * * * * * * FEURICH website: http://www.feurich.com Read more about the harmonic pedal: http://www.feurich.com/en/pedale_harmonique Follow FEURICH on facebook: http://www.facebook.com/feurichwien YouTube - English language harmonic pedal: http://www.youtube.com/user/Harmonicpianopedal YouTube - French language La Pédale Harmonique: http://www.youtube.com/user/LaPedaleHarmonique Content ID - please note this video is NOT third-party content as claimed.

6 лет назад
Johann Sebastian Bach, Kantate BWV 150, Nach dir Herr verlangt mich

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Johann Sebastian Bach: Kantate BWV 150, Nach dir Herr verlangt mich: Sinfonia Leite mich in deiner Wahrheit Zedern müssen von den Winden Meine Augen sehen stets Meine Tage in dem Leide vocal concertisten Dirigent: Kristian Commichau Inselkirche Hermannswerder, Potsdam, 2015 Aufnahmeleitung: Enno Finder & Robert Lucas

3 лет назад