Mozart: Requiem in D minor, K626 | Gardiner

Описание

Requiem of Mozart - John Eliot Gardiner

Barbara Bonney, Soprano.
Anne Sofie von Otter, Mezzo-soprano.
Anthony Rolfe Johnson, Tenor.
Alastair Miles, Bass.

Monteverdi Choir
English Baroque Soloists

Filmed at the Palau de la Música Catalana, Barcelona, in December 1991.

Mass in C minor: https://youtu.be/5QfJC7bXeZw
Bonus: Requiem by Solti (1991) http://www.youtube.com/watch?v=LkyWXg...

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Claudio Monteverdi - Vespro della Beata Vergine, 1610. Sir John Eliot Gardiner at the Versailles Chapelle Royale with the Monteverdi Choir, the English Baroque Soloists and the Pages du Centre de musique Baroque de Versailles, Palace of Versailles, 2014. In 1964, Gardiner conducted it for the first time, and then he decided to found the Monteverdi Choir. This concert actually marks the 50th anniversary of this world-renowned vocal ensemble. Monteverdi Choir & Orchestras, please visit the support section of the website http://www.monteverdi.co.uk/support Parts: 2:10 Domine ad adiuvandum 4:38 Dixit Dominus 13:13 Nigra sum sed formosa 17:58 Laudate, pueri, Dominum 24:15 Pulchra es, amica mea 28:32 Laetatus sum 36:24 Duo Seraphim clamabant 43:53 Nisi Dominus aedificaverit domum 48:54 Audi, coelum, verba mea 58:08 Lauda, Jerusalem, Dominum 1:03:33 Sonata sopra 'Sancta Maria' ora pro nobis 1:11:01 Ave maris stella 1:21:20 Magnificat The historical interest of this work is almost as great as its inherent qualities. Vespers are part of the daily Offices, or Canonical Hours, of the church, music for the Offices including psalms (with antiphons), hymns, and canticles, as well as chanted lessons (with responsories). Although inspired by the Church Office, Monteverdi's Vespers in many ways transcends the original concept, perfectly exemplifying the transition between austere Renaissance polyphony and sheer Baroque splendor. Monteverdi makes his characteristic contribution to sacred music in a bold, almost operatic, style, complete with daring stereophonic and echo effects, and includes a suite of instrumental dances, concerti sections for both voices and orchestra, and a love song. Completed in 1610, the Vespers was written for the court of the Gonzaga family in Mantua, where Monteverdi was employed from 1590 to 1612, and dedicated to Pope Paul V. But the composition's true home is undoubtedly the cathedral of St. Mark in Venice, where Monteverdi was appointed maestro di cappella in 1613. Indeed, the Vespers could well have been conceived with its echoing spaces, galleries, balconies, organ, and choir lofts in mind. The overture, for choir and orchestra, is manifestly operatic, and close to that of Monteverdi's first opera, Orfeo - an upsurge of joyous energy, interposed by an orchestral toccata and ending with a jubilant Alleluia. The instrumentation (cornets, sackbuts, a variety of single and double reeds, recorders, strings, organ, and harpsichord) is, with the exception of the instrumental ritornelli, mainly intended to contribute to the formal structure of the choral sections, coloring the choir in the manner of organ stops, as in the "Dixit Dominus," "Laetatus sum," "Audi, coelum," and the beginning and end of the closing Magnificat, the climax of the whole work. The ways in which Monteverdi treats the cantus firmus by incorporating it into the counterpoint of the choral writing, as in "Dixit Dominus" (Psalm 109), is not found in earlier choral literature, nor is the flowing, unfettered parlando (recitation) style used in "Nigra sum," a metrically free poem with allusions to the biblical Song of Solomon. The concerto "Due Seraphim" is probably the most interesting section in the Vespers. It is set for two "answering" voices - a sort of singing competition for angels - and almost exceeds the limits of human vocal technique. The choral writing is also demanding in its splendor and complexity, much of it in six, seven, and, as in the psalm "Laudate pueri," eight parts; yet the simplicity of the two-part hymn Ave Maris stella is also among the many treasures of this magnificent work. Back in 2010, Gardiner had already conducted the Vespro at Versailles' Chapelle Royale, winning broad acclaim; this is the reason why it was decided to film the 2014 concert. The title page of the first edition is inscribed "ad Sacella sive Principum Cubicula accomodata Opera" (for use in princely rooms and chapels). According to the conductor, Versailles Chapelle Royale is the perfect place to perform this masterpiece, because the spatial disposition makes the audience experience the feeling of Renaissance concerts: the architecture and the various levels enhance the echo and the dialogs between the singers, performing from different heights. Silvia Frigato, Emanuela Galli, sopranos Raffaele Pè, alto Krystian Adam, Nicholas Mulroy, Gareth Treseder, tenors Alexander Ashworth, Robert Davies, bass The Monteverdi Choir The English Baroque Soloists Les Pages du Centre de musique baroque de Versailles John Eliot Gardiner Royal Chapel at Versailles (Versailles, France) Movie director: Stéphan Aubé Production: Wahoo - Château de Versailles Disclaimer: All the music video belong to their rightful owners and creators, to whom all credit goes. My intend is purely for educational purposes and to expose more people to these wonderful works. I do not intend any copyright infringement and will gladly remove this video if asked to.

5 лет назад
Amadeus Soundtrack [Special Edition: Director's Cut] - Full CD 1

Amadeus Soundtrack [Special Edition: Director's Cut] - Full CD 1

The 2002 Expanded Edition of Amadeus Soundtrack - Disc One Tracks: 01. W.A. Mozart - Symphony No. 25 in G minor, K. 183; 1st movement 00:00:00 02. W.A. Mozart - Eine Kleine Nachtmusik (Serenade), K. 525; 1st movement 00:07:51 03. Giovanni Battista Pergolesi - Stabat Mater, Quando Corpus Morietur and Amen 00:13:32 04. Simon Preston and W.A. Mozart - Salieri's March turned into Non piu andrai (from Le nozze di Figaro, K. 492) 00:17:51 05. W.A. Mozart - Serenade for Winds; K. 361; 3rd movement" - 00:19:43 06. W.A. Mozart - The Abduction from the Seraglio, K. 384, Chorus of the Janissaries (arr.) / Ich mochte wohl (Ein Deutsches Kriegslied), K. 539 (arr.) - 00:25:52 07. W.A. Mozart - The Abduction from the Seraglio, K. 384, Turkish Finale" - 00:30:17 08. W.A. Mozart - Mass in C minor; K. 427, Kyrie - 00:31:45 09. W.A. Mozart - Concerto for Flute and Harp, K. 299; 2nd movement 00:38:15 10. W.A. Mozart - Symphony No. 29 in A, K. 201; 1st movement, allegro moderato - 00:46:48 11. W.A. Mozart - Adagio in C minor for Glass Armonica, K. 617 - 00:52:31 12. W.A. Mozart - Concerto for Two Pianos, K. 365; 3rd Movement - 00:58:34 13. W.A. Mozart - Symphonie Concertante, K. 364; 1st movement - 01:05:48 I DO NOT OWN THE MUSIC AND THE IMAGES! UPLOADED FOR THE SHEER LOVE FOR MUSIC ONLY!

5 лет назад
J.S. Bach: MAGNIFICAT [complete version]

J.S. Bach: MAGNIFICAT [complete version]

Johann Sebastian Bach (1685 - 1750): MAGNIFICAT - D-Dur BWV 243 (1723,1730) - historically informed performance on period instruments Anna Nesyba - Soprano I Monteverdichor Würzburg Monteverdi Ensemble Matthias Beckert (cond.) 26.10.2014, Neubaukirche, Würzburg, Germany

4 лет назад
Beethoven 9 - Chicago Symphony Orchestra - Riccardo Muti

Beethoven 9 - Chicago Symphony Orchestra - Riccardo Muti

On May 7, 1824, Beethoven shared his 9th Symphony with the world even though he could never hear it. On May 7, 2015 celebrate the anniversary of Beethoven’s most glorious and jubilant masterpiece with Riccardo Muti and the Chicago Symphony Orchestra and Chorus. An exhilarating testament to the human spirit, Beethoven’s Ninth bursts with brooding power and kinetic energy and culminates in the exultant hymn, “Ode to Joy.”The video is now available free on demand for all to enjoy! - See more at: http://cso.org/beethoven9 #sharethejoy

3 лет назад
CHOPIN - Nocturne Op.9 No2 (60 min) Piano Classical Music Concentration Studying Reading Background

CHOPIN - Nocturne Op.9 No2 (60 min) Piano Classical Music Concentration Studying Reading Background

CHOPIN - Nocturne No 2 in E Flat Major Op 9 No 2 (60 minutes) Performer : Frank Levy The Nocturnes, Op. 9 are a set of three nocturnes written by Frédéric Chopin between 1830 and 1832, published that year, and dedicated to Madame Emily Chopin. The second nocturne of the work is widely regarded as Chopin's most famous piece, and is regularly featured in films, television programs and video games. https://en.wikipedia.org/wiki/Nocturnes,_Op._9_%28Chopin%29 The Chopin nocturnes constitute 21 pieces for solo piano written by Frédéric Chopin between 1827 and 1846. They are generally considered among the finest short solo works for the instrument and hold an important place in contemporary concert repertoire. Although Chopin did not invent the nocturne, he popularized and expanded on it, building on the form developed by Irish composer John Field. The nocturnes numbered 1 to 18 were published during his life, in twos or threes, in the order of composition. Numbers 19 and 20 were actually written first, prior to Chopin's departure from Poland, but published posthumously. Number 20 was not originally entitled "nocturne" at all, but since publication in 1870 as such, is generally included with publications and recordings of the set. https://en.wikipedia.org/wiki/Nocturnes_%28Chopin%29 Soundtrack : -- The Eddy Duchin Story (1956) -- 8¨ -- The Big Red One -- Blue Lagoon -- Crush -- Man Trouble -- Saturday Night Fever -- Sleep With Me -- Teacher's Pet -- Waking Life -- The Loss of Sexual Innocence -- Bones (2009) In season 5 episode 3, The Plain in the Prodigy: Amish boy Levi playing his audition piece; repeats as Levi's parents watch the video. -- 127 Hours (2010)[3] The scene begins some years earlier in family home with Aron's younger sister rehearsing Nocturnes, Op.9, No. 2. -- After several days of being pinned by a boulder, Aron Ralston (James Franco), dehydrated, delusional, and believing he is going to die, reminisces his past to the bliss of Nocturne. -- The Raven (2012) Alice Eve's character, Emily, plays Nocturnes Op. 9, No. 2, to an audience as her father converses with Inspector Fields. -- Mad Men (2013) Played on violin by Sandy in the Season 6 premiere "The Doorway" -- Bad Santa (2003) Played at the opening of the film with Billy Bob Thornton's character narrating over it. -- The Purge: Anarchy (2014) Played by a pianist at the auction. -- BioShock Infinite (2013) Played on radios throughout the Finkton Docks area of Columbia. -- Hetalia Axis Powers (2007) Played by Austria in Episode 06. -- Parasyte -the maxim- (2014-2015) Played in its entirety in episode 15 of the anime adaptation. -- Dexter (TV series) (2007) In season 2 episode 7, That Night, a Forest Grew, listened to on headphones while working out by Debra Morgan, at the suggestion of FBI Special Agent Frank Lundy. -- Hannibal (TV series) (2013) In season 1 episode 4, played while Hannibal was having dinner with Jack. -- American Horror Story: Coven (2013) In the opening of the episode "Go To Hell," the song plays as Fiona explains to Queenie what the Seven Wonders are. -- Fallout 4 (2015) Played on the game's Classical Radio station. -- The Simpsons (2014) In the Season 26 premiere's Couch Gag created by Academy Award-nominated surrealist animator Don Hertzfeldt, as a deformed Homer Simpson of the year 10,535 reminisces through the millennia of how his family wasn't so deformed and could still communicate with each other, Nocturnes Op. 9, No. 2, is played in the background, when his family tried telling him that they were still a loving family and would not forget him as the millennia passed on and the series became more dependent on shock humor, non sequiturs and merchandise schilling that through time the family would become more deformed and ultimately forget him. -- Anime : Your lie in April musique classique, klassische Musik, 古典音乐, 고전 음악, música clásica, शास्रीय संगीत, musik klasik, musica classica, クラシック音楽, klassieke muziek, klassisk musikk, música clássica, muzică clasică, классическая музыка, класична музика, klassisk musik, klasická hudba, เพลงคลาสสิค, klasik müzik, класична музика, nhạc cổ điển, موسيقى كلاسيكية

3 лет назад
🎵❤️ The most BEAUTIFUL choral music EVER written | Vol 1

🎵❤️ The most BEAUTIFUL choral music EVER written | Vol 1

Music of Inner Harmony sung by the world's best choirs Part TWO - https://www.youtube.com/watch?v=PuCllGAxV_0 Part THREE - https://www.youtube.com/watch?v=vwbPRUH42Sc 0:00:00 | Samuel Barber - Agnus Dei 0:07:17 | Gregorio Allegri - Miserere mei, Deus 0:18:36 | Edward Elgar - Lux aeterna 0:22:13 | Gabriel Fauré - Cantique de Jean Racine 0:27:02 | Antonio Lotti - Crucifixus a 8 0:30:25 | Eric Whitacre - Sleep 0:36:13 | Philip Stopford - Lully, Lulla, Lullay 0:40:46 | Henry Purcell - Thou knowest, Lord 0:43:07 | Sergei Rachmaninov - Bogoroditse Devo 0:46:15 | Henry Purcell - Hear my prayer, O Lord 0:48:30 | Thomas Tallis - O nata lux 0:50:22 | Tavener - Hymn to the Mother of God 0:52:37 | Robert Parsons - Ave Maria 0:58:08 | Henry Purcell - Remember not, Lord, our offences 1:00:53 | Thomas Tallis - Spem in alium 1:09:19 | William Byrd - Agnus Dei (Mass for Four Voices) 1:12:11 | Giovanni Pierluigi da Palestrina - Sicut cervus 1:16:00 | Carlo Gesualdo - O vos omnes 1:19:50 | JS Bach - Zion hört die Wächter singen (Wachet auf BWV 140) 1:23:28 | William Byrd - Ne irascaris, Domine 1:27:08 | William Byrd - Civitas sancti tui 1:31:18 | Joseph Rheinberger - Abendlied 1:34:08 | John Tavener - Funeral Ikos 1:41:34 | Charles Villiers Stanford - The Bluebird 1:44:51 | Tomás Luis de Victoria - Ave Maria a 8 1:49:40 | Eric Whitacre - Lux aurumque 1:54:00 | John Sheppard - Libera nos I 1:57:23 | Herbert Howells - Requiem aeternam (II) 2:01:37 | Eriks Ešenvalds - The heavens' flock 2:05:03 | Arvo Pärt - Magnificat 2:11:06 | Thomas Tallis - If ye love me 2:13:12 | Frank Martin - Agnus Dei (Mass for Double Choir) 2:17:01 | Herbert Howells - A Spotless Rose 2:20:06 | Russian Kontakion for the Departed Artists: ► Byrd Ensemble https://www.byrdensemble.com ► Clare College, Cambridge http://www.clarecollegechoir.com ► Ecclesium https://philipstopford.com ► Ensemble ZENE https://www.ensemblezene.com ► Gonville and Caius, Cambridge http://www.gonvilleandcaiuschoir.com ► Siglo de Oro https://www.siglodeoro.co.uk ► Trinity College, Cambridge http://trinitycollegechoir.com ► Vlaams Radio Koor http://www.vlaamsradiokoor.be/home ► Voces8 http://www.voces8.com ► Westminster Cathedral http://www.westminstercathedralchoir.com All music used with kind permission from the performing artists. All images either taken by myself or obtained from https://pixabay.com (royalty free). Visit our channel for music by Bach, Mozart, Beethoven, Chopin, Ravel, Debussy, Verdi, Tchaikovsky, Vivaldi, Handel, Brahms, Liszt, Schubert, Mendelssohn, Rachmaninoff and many more!!

11 месяцев назад
Brahms - Piano Concerto No. 1 | Hélène Grimaud, Piano [HD]

Brahms - Piano Concerto No. 1 | Hélène Grimaud, Piano [HD]

Johannes Brahms - Piano Concerto No. 1 in D minor, Op. 15 00:00 I. Maestoso 24:06 II. Adagio 38:45 III. Rondo Hélène Grimaud, piano, Southwest German Radio Symphony Orchestra | SWR Sinfonieorchester Baden-Baden und Freiburg, Michael Gielen, 17.IV.2005. Johannes Brahms was 20 years old when, in 1853, he first made the acquaintance of Robert Schumann through a letter of recommendation provided by the famous violinist Joseph Joachim. It was Schumann's unabashed praise of the music that Brahms showed him that, more than anything else, provided the young composer with the courage necessary to begin work on a full-scale symphony the next year. That courage, however, fell short in the end -- Brahms felt himself too inexperienced and was too haunted by the "footsteps of a giant" (Beethoven) to begin fruitful symphonic work -- and Brahms reorganized the material he had written as a sonata for two pianos. By 1858, this sonata for two pianos had itself been reborn as the Piano Concerto No. 1 in D minor, Op. 15. The Piano Concerto No. 1 as we know it today is a complete reworking of the ideas and themes of the original duo-sonata source; much of it is completely new music. The premiere of the piece in January 1859 was not the failure that it is sometimes portrayed to have been, but the cold response at a follow-up performance in Leipzig left a bitter taste in Brahms' mouth that he never forgot -- Leipzig remained an enemy for the rest of his life. The concerto is in three movements: Maestoso, Adagio, and Allegro non troppo. The orchestral exposition to the giant Maestoso is mighty, epic, and tragic in no small portion; much later, a radiant, chorale-like second idea is offered by the soloist, who Brahms provides with the kind of rich, deep sonorities so characteristic of his piano writing. At the recapitulation, which is ushered in by a massive climax in which the pianist is forced to use all his/her strength to compete with the massive orchestral bursts, the pianist boldly takes over the mighty utterances that began the movement. Brahms wrote the words "Benedictus qui venit in nomine Domini" at the head of the slow movement, but whether the words are an homage to Robert Schumann (whom Brahms sometimes called Domini), a portrait of Clara Schumann (the most popular interpretation, and one seemingly supported by a letter from Brahms to Clara), or some other reference is unknown. The rondo-theme of the finale is introduced by the piano alone, and, later on, the soloist gets his/her one and only chance to impress the audience with a cadenza -- though it is dramatic necessity, not garish virtuosity, that demands the cadenza in the first place.

4 лет назад
Bach - Organ Works - DVD1.avi

Bach - Organ Works - DVD1.avi

Primera parte de Grandes Obras para órgano de Johann Sebastian Bach, interpretadas por Hans-André Stamm.

7 лет назад
Verdi: Requiem / Bychkov · BBC Symphony Orchestra · BBC Proms 2011

Verdi: Requiem / Bychkov · BBC Symphony Orchestra · BBC Proms 2011

Great, dramatic and powerful presentation of Semyon Bychkov with the BBC Symphony Orchestra, the BBC Symphony Chorus, the BBC National Chorus of Wales, the London Philharmonic Choir, Marina Poplavskaya (soprano), Mariana Pentcheva (mezzo-soprano), Joseph Calleja (tenor) and Ferruccio Furlanetto (bass) playing the great Requiem of Giuseppe Verdi, at BBC Proms 2011. Grandiosa, poderosa y dramática presentación de Semyon Bychkov junto a la Orquesta Sinfónica de la BBC, el Coro Sinfónico de la BBC, el Coro Nacional BBC de Gales, el Coro de a Filarmónica de Londres, Marina Poplavskaya (soprano), Mariana Pentcheva (mezzo-soprano), Joseph Calleja (tenor) y Ferruccio Furlanetto (bass) interpretando el Requiem de Giuseppe Verdi, en los Proms de la BBC 2011. http://www.bbc.co.uk/proms/archive/search/2010s/2011/july-24/15 (C) BBC and ALL their respective owners. There's a very-little-tiny personal work here (JUST in the edition of the video, making better the color of the video, nothing more).

6 лет назад
Vivaldi: Four Seasons/Quattro Stagioni - Janine Jansen - Internationaal Kamermuziek Festival

Vivaldi: Four Seasons/Quattro Stagioni - Janine Jansen - Internationaal Kamermuziek Festival

Amsterdam Sinfonietta en violiste Janine Jansen spelen Vivaldi's 'Vier jaargetijden' tijdens het Internationaal Kamermuziek Festival 2014. La Primavera/Spring/Lente Spring Movement 1 (Allegro) - 0:04 Spring Movement 2 (Largo) - 3:31 Spring Movement 3 (Allegro) - 6:02 L'estate/Summer/Zomer Summer Movement 1 (Allegro non molto) - 10:22 Summer Movement 2 (Adagio) - 15:41 Summer Movement 3 (Presto) - 17:54 L'autunno/Autumn/Herfst Autumn Movement 1 (Allegro) - 21:01 Autumn Movement 2 (Adagio molto) - 26:10 Autumn Movement 3 (Allegro) - 28:41 L'inverno/Winter Winter Movement 1 (Allegro non molto) - 32:05 Winter Movement 2 (Largo) - 35:21 Winter Movement 3 (Allegro) - 37:00 Opname: 29 juni 2014 tijdens het Internationaal Kamermuziek Festival Utrecht in TivoliVredenburg.

4 лет назад
Ennio Morricone - The Best of Ennio Morricone - Greatest Hits (High Quality Audio)

Ennio Morricone - The Best of Ennio Morricone - Greatest Hits (High Quality Audio)

#EnnioMorricone #EnnioMorriconeMusic Maestro Ennio Morricone and his timeless masterpieces. New Ennio Morricone Playlists Spotify - The Greatest Hits Playlist https://open.spotify.com/user/cinema_hotel/playlist/6bEAZJyyXNqMSpZVOdLWDg Apple Music - Ennio Morricone Essentials https://itunes.apple.com/us/playlist/ennio-morricone-essentials/pl.dd4d7ac6f8fa4c098843ce267b3328cd Tidal - Legends: Ennio Morricone https://listen.tidal.com/playlist/fa2b796e-dcd8-422f-9217-8c4d29e3fd1b Tidal - Ennio Morricone: Spaghetti Western Soundtracks https://listen.tidal.com/playlist/9a9083e0-cc96-4d8d-b1d9-1c215654a0cb Deezer - Best of Ennio Morricone http://www.deezer.com/us/playlist/625741265 The Best of Ennio Morricone - Greatest Hits 1. The Ecstasy of Gold (The Good, the Bad and the Ugly) 0:00 - 3:22 2. The Good, the Bad and the Ugly 3:22 - 6:04 3. Once upon a Time in the West 6:05 - 9:15 4. For a Few Dollars More 9:16 - 13:05 5. A Fistful of Dynamite 13:06 - 17:43 6. Cinema Paradiso - Main Theme 17:44 - 20:13 7. Chi Mai (Maddalena & Le professionel) 20:14 - 23:48 8. La Califfa - The Lady Caliph / The Queen 23:48 - 26:27 9. My Name is Nobody 26:27 - 29:37 10. L'arena (Il Mercenario - The Mercenary / A Professional Gun) 29:38 - 34:23 11. Un Monumento (I Crudeli – The Hellbenders) 34:23 - 36:55 12. Misterioso e Ostinato (Faccia a Faccia - Face to Face) 36:56 - 39:17 13. Un Amico (Revolver) 39:18 - 41:55 14. Love Theme for Nata (Cinema Paradiso) 41:55 - 46:03 15. Romanzo (1900 - Novecento) 46:04 - 50:12 16. Romanza Quartiere (Quartiere) 50:12 - 53:51 17. Il Figlio e la Nostalgia (The Law of the Desert) 53:52 - 57:41 18. Ninna Nanna per Adulteri (Cuore di Mamma) 57:41 - 01:00:45 19. Watch Chimes - Carillon's Theme (For a Few Dollars More) 01:00:45 - 01:01:57 20. Tradimento Primo (Tepepa) 01:01:58 - 01:04:13 21. Run, Man, Run (The Big Gundown) 01:04:13 Ennio Morricone Greatest Hits  iTunes: https://itunes.apple.com/gb/album/ennio-morricone-greatest-hits-2017/id1207271759 Google Play https://play.google.com/store/music/album/Ennio_Morricone_Ennio_Morricone_Greatest_Hits_2017?id=Bplqz4xhpsedhype7vm72h6d2lm Amazon Music https://www.amazon.co.uk/Ennio-Morricone-Greatest-Hits-2017/dp/B074QW9Q62/ref=sr_1_2?s=dmusic&ie=UTF8&qid=1505731880&sr=1-2-mp3-albums-bar-strip-0&keywords=ennio+morricone+greatest+hits “Le Meilleur de Ennio Morricone"  iTunes: https://itunes.apple.com/it/album/le-meilleur-de-ennio-morricone-vol-1/id868828487 “Meisterwerke der Filmmusik”  iTunes: https://itunes.apple.com/it/album/ennio-morricone-2016-meisterwerke-der-filmmusik/id1085607882 Ennio Morricone in concert:http://www.enniomorricone.org/events/ Facebook: https://www.facebook.com/maestroenniomorricone/ Official Website: http://www.enniomorricone.org Artist Page: https://itun.es/gb/lNeb Artist Page: https://open.spotify.com/artist/1nIUhcKHnK6iyumRyoV68C

3 лет назад
J.S. Bach Brandenburg Concertos  1 - 6, Claudio Abbado

J.S. Bach Brandenburg Concertos 1 - 6, Claudio Abbado

J.S. Bach Brandenburg Concertos 1 - 6 Disc 1 1. Brandenburg Concerto No. 1 in F, BWV 1046 0:00 2. Brandenburg Concerto No. 3 in G, BWV 1048 17:54 3. Brandenburg Concerto No. 5 in D, BWV 1050 28:22 Disc 2 4. Brandenburg Concerto No. 6 in B flat, BWV 1051 47:25 5. Brandenburg Concerto No. 4 in G, BWV 1049 1:03:55 6. Brandenburg Concerto No. 2 in F, BWV 1047 1:20:01

4 лет назад
Pergolesi - Stabat Mater

Pergolesi - Stabat Mater

Pergolesi - Stabat Mater NATIONAL CHAMBER CHOIR OF ARMENIA Art director R. Mlkeyan THE OUR LADY ARMENIA CHOIR Art director R. Mlkeyan NATIONAL CHAMBER ORCHESTRA OF ARMENIA Art director V. Martirosyan soprano M. Galoyan mezzo-soprano H. Harutyunova organ A. Bakunts conductor R. Mlkeyan http://armchoir.com

7 лет назад
Mozart Requiem Sir Colin Davis 2004 (multisubs)

Mozart Requiem Sir Colin Davis 2004 (multisubs)

MDR HD Mozart Requiem K.626 Sir Colin Rex Davis (conductor) Alastair Miles (bass) Steve Davislim (tenor) Bernarda Fink (alto) Ute Selbig (soprano) Sächsische Staatsoper Dresden Semperoper 2004.02.14 "Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use."

2 лет назад
© Mozart Symfoni no 40 - Danmarks Radio SymfoniOrkestret - Juanjo Mena

© Mozart Symfoni no 40 - Danmarks Radio SymfoniOrkestret - Juanjo Mena

© Mozart symfoni no 40 - Danmarks Radio SymfoniOrkestret - Juanjo Mena © Danmarks Radio

4 часов назад