Marshall McLuhan’s Biography

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The Medium is the Message by Marshall McLuhan | Animated Book Review

The Medium is the Message by Marshall McLuhan | Animated Book Review

Like this? Watch my Propaganda video → https://goo.gl/qHVf3e Share on Facebook 👍 https://goo.gl/RE7l7D | 👉 Follow me → https://twitter.com/OEudaimonia Subscribe → http://goo.gl/RI6aWR | More below 👇👇👇 Get the book → http://amzn.to/2g9uBw1 Marshall McLuhan's 1967 book "The Medium is the Massage" (the typo is deliberate) beautifully articulates his revolutionary ideas in a concise manner. This review explains what is meant by the medium is the message and the global village. It explores some McLuhan's quotes from the book, showing how prophetic they have become. :) Adam http://youtube.com/obtaineudaimonia -- I read books about successful people and make animated videos about them.

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Educational Movie/Documentary of 1960's - This is Marshall McLuhan: The Medium is the Message

Educational Movie/Documentary of 1960's - This is Marshall McLuhan: The Medium is the Message

Title: This is Marshall McLuhan: The Medium is the Message Producer: Recorded and produced by the Carnagie Library in Pittsburgh, the free library of Philadelphia, the Pensylvania state library. Description: The clip was shoot on film somewhere in the 50's or 60's and is a documentary based on and around McLuhans work: The Guthenberg Galaxy and The Medium is the Message. It does not feature the Mcluhan of the 70's and is certainly not a product for TV. Albeit its production is Featuring: Herbert Marshall Mcluhan https://en.wikipedia.org/wiki/Marshall_McLuhan Malcolm Morley https://en.wikipedia.org/wiki/Malcolm_Morley Inez Garson

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Out of Orbit 1999: The Life and Times of Marshall McLuhan

Out of Orbit 1999: The Life and Times of Marshall McLuhan

Broadcast: 1999 Director: Carl Bessai Writers: Carl Bessai, Manfred Becker Producer: Laura Lightbown Cinematography: Carl Bessai Editor: Manfred Becker Music: Vince Mai "Societies have always been shaped more by the nature of the media with which people communicate than by the content of the communication." - Marshall McLuhan Marshall McLuhan, one of Canada's most influential and controversial figures, burst into the centre of media circles in North America with his strange and prophetic pronouncements - "electric light is pure information" - on advertising, television and the emerging computer age. Known for his imaginative descriptions of the media environment, McLuhan coined the phrases 'the medium is the message' and 'the global village.' These two aphorisms still linger on the tongues of critics, philosophers and pop-culture makers as McLuhan's predictions and revelations continue to be proven true over and over again. Initially celebrated, later doubted and recently resurrected, McLuhan has stood the test of time as one of the truly innovative minds of this century. Some of his statements are as fresh today as they must have been when he first appeared on North American televisions in the 1960s. "Where advertising is heading is quite simply into a world where the ad will become a substitute for the product," said McLuhan. With the help of family, friends, and theorists, McLuhan is revealed. Deeply conservative, reserved, difficult, uncomfortable with the fame he sought, this very private man remained an enigma for most of his life. The documentary charts the course of McLuhan's life and work, his successes and failures, paying careful attention to the central principle of his work - the medium. Out Of Orbit also pays tribute to McLuhan, his message, and the way in which his theories and words have penetrated and influenced the consciousness of today's media literate society.

1 лет назад
Our present as predicted half a century ago by Marshall McLuhan

Our present as predicted half a century ago by Marshall McLuhan

Video compilation of a selection of predictions made by communications philosopher Marshall McLuhan's. Shown at Taste, a networking event in Amsterdam, organized by Result and MakerStreet.

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Marshall Mcluhan Full lecture: The medium is the message - 1977 part 1 v 3

Marshall Mcluhan Full lecture: The medium is the message - 1977 part 1 v 3

Herbert Marshall Mcluhan (*1911 - +1979) lecture recorded by ABC Radio National Network on 27 June 1979 in Australia. For the best resource collection of his work check out the page Mcluhan on Maui (MOM) here: http://www.mcluhanonmaui.com/ The best documentary about Mcluhan (in four parts) is definitely CBC's Life and Times: Understanding Mcluhan here: part 1: http://www.youtube.com/watch?v=WvpPb89ChM0 People seriously studying his work I can point to Douglas Hofstaedter. His work resembles Mcluhan's understanding on the basic mechanics behind the mind: http://www.youtube.com/watch?v=n8m7lFQ3njk Further elaboration on the process chiasmus upholds for analogy and the role of metaphor as linguistic device under-grinding its mechanics might find ample references in Patricia's Phd Paper Chi-thinking: Chiasmus and cognition here: http://www.scribd.com/doc/19115184/Chithinking-Chiasmus-and-cognition Note that she departs from Mark Turner's assumption of the parable as a substitute for chiasmus. Then of course there is the great Noam Chomsky who Mcluhan mentiones in his letters as "stuffing language into grammar". Transcripts of his theories on language and the mind can be found here: http://hotbookworm.wordpress.com/category/literature-feast/language-and-the-rest-of-the-world-noam-chomsky/

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Marshall McLuhan - The Medium Is The Message [1977] (Media Savant)

Marshall McLuhan - The Medium Is The Message [1977] (Media Savant)

A great man. The dialogue gets more poignant as time goes on and the more questions are asked. We have the great privilege of looking back at his words now in the light of an entirely new medium; the internet. Bear in mind he said all of this before the internet was a medium that existed.

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NEW BATCH OF NERDWRITER MUGS HERE!!! http://www.patreon.com/nerdwriter FUN TUMBLR: http://thenerdwriter.tumblr.com/ WITTY TWITTER: https://twitter.com/TheeNerdwriter Full video of McLuhan (part 1): https://www.youtube.com/watch?v=ImaH51F4HBw

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Marshall McLuhan - Digital Prophecies: The Medium is the Message

Marshall McLuhan - Digital Prophecies: The Medium is the Message

In the 1960s, way before anybody had ever tweeted, Facebook Live-d or sent classified information to WikiLeaks, one man made a series of pronouncements about the changing media landscape. His name was Marshall McLuhan and you’ve probably heard his most quoted line: “The medium is the message”. Follow #MediaTheorised, an online project by Al Jazeera English’s media analysis show The Listening Post Facebook: /AJListeningPost Twitter: @AJListeningPost Narrated by Alex Chow, student leader 2014 Hong Kong Umbrella movement Directed and animated by Daniel Savage

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The Medium is the Message

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Is the form that you receive a message as significant as the message itself? Marshall McLuhan argued that throughout history what has been communicated has been less important than the particular medium through which people communicate. The technology that transfers the message changes us and changes society, the individual, the family, work, leisure and more. Narrated by Gillian Anderson. Scripted by Nigel Warburton. From the BBC Radio 4 series about life's big questions - A History of Ideas. This project is from the BBC in partnership with The Open University, the animations were created by Cognitive.

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Marshall McLuhan e l'ecologia dei media

Superando la convinzione secondo cui i media sono semplici mezzi o strumenti per comunicare e interagire, l’ecologia dei media propone una visione sistemica in base alla quale questi sono concepiti come veri e propri ambienti, un insieme di forme culturali, tecnologiche e comunicative al cui interno l’uomo si trova a vivere e ad agire. L’ambiente dei media è perciò considerato un ecosistema coeso, aperto e dinamico in cui hanno modo di manifestarsi le tante forme espressive della cultura umana. Estratto dal volume di Paolo Granata ECOLOGIA DEI MEDIA Protagonisti, scuole, concetti chiave FrancoAngeli, Milano, 2015 - www.ecologiadeimedia.it - www.facebook.com/ecologiadeimedia - twitter.com/ecologiamedia - www.francoangeli.it/Ricerca/Scheda_libro.aspx?ID=21914 Riprese di Jean-Claude Chincheré c/o WOW Media srl Torino INDICE del libro Prologo. La storiella dei pesci e dell'acqua Che cos'è l'ecologia dei media (A partire da una definizione; Una visione sistemica; Un approccio di campo; Intrecci tematici; Storiografia intellettuale) La Scuola di New York (Lewis Mumford e l'ecologia della tecnica; Susan Langer e l'ecologia delle forme; Neil Postman e la pedagogia dei media) La Scuola di Toronto (Harold Innis e l'ecologia del sapere; Marshall McLuhan e l'estetica dei media; Walter Ong e l'ecologia della parola) Scuole e pensatori di frontiera (La Scuola di Chicago e l'ecologia urbana; Gregory Bateson e l'ecologia della mente; Edward Hall e l'ecologia culturale ) Le radici europee (La scena francese; La tradizione tedesca; Il contesto anglosassone) La media ecology oggi (Il fermento nordamericano; La ricerca europea; Il contributo italiano) Riferimenti bibliografici.

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Marshall McLuhan at Colombia University (07/17/1978)

This rare audio clip is recorded from a lecture presented July 17, 1978 at Colombia University. It was given by the late, but still immensely relevant, Marshall McLuhan. McLuhan', to those who aren't familiar with him, is famous for innovating the study of media, specifically in how, if properly used, not only aids in in the improvement of humans but is an invaluable means of bettering the societies they live in. The audio for this lecture was taken directly from the sadly out of print 1996 Voyager Company CD-ROM "Understanding McLuhan." For those who are interested in downloading that, you can find the ISO for it at this link: https://mega.nz/#!N94z3YBa!Z9UYuH7ULQSsDba6qIDZU5PDENfPBaH9s1fpFXUG9B0 It can also be downloaded at the Internet Archive at https://archive.org/details/understanding-mcluhan

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One of the most charismatic, controversial and original thinkers of our time whose remarkable perception propelled him onto the international stage, Marshall McLuhan is universally regarded as the father of communications and media studies and prophet of the information age Biography McLuhan was still a twenty-year old undergraduate at the University of Manitoba, in western Canada, in the dirty thirties, when he wrote in his diary that he would never become an academic. He was learning in spite of his professors, but he would become a professor of English in spite of himself. After Manitoba, graduate work at Cambridge University planted the seed for McLuhan’s eventual move toward media analysis. Looking back on both his own Cambridge years and the longer history of the institution, he reflected that a principal aim of the faculty could be summarized as the training of perception, a phrase that aptly summarizes his own aim throughout his career. Portrait of Marshall McLuhan by Yousuf Karsh. Copyright the Estate of Yousuf Karsh, California. Portrait by Yousuf Karsh. Copyright the Estate of Yousuf Karsh, California. The shock that McLuhan experienced in his first teaching post propelled him toward media analysis. Though his students at the University of Wisconsin were his juniors by only five to eight years, he felt removed from them by a generation. He suspected that this had to do with ways of learning and set out to investigate it. The investigation led him back to lessons on the training of perception from his Cambridge professors, such as I.A. Richards (The Meaning of Meaning, Practical Criticism), and forward to discoveries from James Joyce, the symbolist poets, Ezra Pound; back to antiquity and the myth of Narcissus, forward to the mythic structure of modern Western culture dominated by electric technology. Understanding Media, first published in 1964, focuses on the media effects that permeate society and culture, but McLuhan’s starting point is always the individual, because he defines media as technological extensions of the body. As a result, McLuhan often puts his inquiry and his conclusions in terms of the ratio between the physical senses (the extent to which we depend on them relative to each other) and the consequences of modifications to that ratio. This invariably entails a psychological dimension. Thus, the invention of the alphabet and the resulting intensification of the visual sense in the communication process gave sight priority over hearing, but the effect was so powerful that it went beyond communication through language to reshape literate society’s conception and use of space. Understanding Media brought McLuhan to prominence in the same decade that celebrated flower power. San Francisco, the home of the summer of love, hosted the first McLuhan festival, featuring the man himself. The saying “God is dead” was much in vogue in the counterculture that quickly adopted McLuhan but missed the irony of giving a man of deep faith the status of an icon. Spectacular sales of Understanding Media, in hardback and then in paperback editions, and the San Francisco symposium brought him a steady stream of invitations for speaking engagements. He addressed countless groups, ranging from the American Marketing Association and the Container Corporation of America to AT&T and IBM. In March 1967, NBC aired “This is Marshall McLuhan” in its Experiment in TV series. He played on his own famous saying, publishing The Medium is the Massage (co-produced with Quentin Fiore and Jerome Agel), even as he was signing contracts for Culture Is Our Business and From Cliché to Archetype (with Canadian poet Wilfred Watson) with publishers in New York. Dozens of universities awarded McLuhan honorary degrees and he secured a Schweitzer Chair in the Humanities at Fordham University. – By Terrence Gordon (July 2002)

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One of the most charismatic, controversial and original thinkers of our time whose remarkable perception propelled him onto the international stage, Marshall McLuhan is universally regarded as the father of communications and media studies and prophet of the information age Biography McLuhan was still a twenty-year old undergraduate at the University of Manitoba, in western Canada, in the dirty thirties, when he wrote in his diary that he would never become an academic. He was learning in spite of his professors, but he would become a professor of English in spite of himself. After Manitoba, graduate work at Cambridge University planted the seed for McLuhan’s eventual move toward media analysis. Looking back on both his own Cambridge years and the longer history of the institution, he reflected that a principal aim of the faculty could be summarized as the training of perception, a phrase that aptly summarizes his own aim throughout his career. Portrait of Marshall McLuhan by Yousuf Karsh. Copyright the Estate of Yousuf Karsh, California. Portrait by Yousuf Karsh. Copyright the Estate of Yousuf Karsh, California. The shock that McLuhan experienced in his first teaching post propelled him toward media analysis. Though his students at the University of Wisconsin were his juniors by only five to eight years, he felt removed from them by a generation. He suspected that this had to do with ways of learning and set out to investigate it. The investigation led him back to lessons on the training of perception from his Cambridge professors, such as I.A. Richards (The Meaning of Meaning, Practical Criticism), and forward to discoveries from James Joyce, the symbolist poets, Ezra Pound; back to antiquity and the myth of Narcissus, forward to the mythic structure of modern Western culture dominated by electric technology. Understanding Media, first published in 1964, focuses on the media effects that permeate society and culture, but McLuhan’s starting point is always the individual, because he defines media as technological extensions of the body. As a result, McLuhan often puts his inquiry and his conclusions in terms of the ratio between the physical senses (the extent to which we depend on them relative to each other) and the consequences of modifications to that ratio. This invariably entails a psychological dimension. Thus, the invention of the alphabet and the resulting intensification of the visual sense in the communication process gave sight priority over hearing, but the effect was so powerful that it went beyond communication through language to reshape literate society’s conception and use of space. Understanding Media brought McLuhan to prominence in the same decade that celebrated flower power. San Francisco, the home of the summer of love, hosted the first McLuhan festival, featuring the man himself. The saying “God is dead” was much in vogue in the counterculture that quickly adopted McLuhan but missed the irony of giving a man of deep faith the status of an icon. Spectacular sales of Understanding Media, in hardback and then in paperback editions, and the San Francisco symposium brought him a steady stream of invitations for speaking engagements. He addressed countless groups, ranging from the American Marketing Association and the Container Corporation of America to AT&T and IBM. In March 1967, NBC aired “This is Marshall McLuhan” in its Experiment in TV series. He played on his own famous saying, publishing The Medium is the Massage (co-produced with Quentin Fiore and Jerome Agel), even as he was signing contracts for Culture Is Our Business and From Cliché to Archetype (with Canadian poet Wilfred Watson) with publishers in New York. Dozens of universities awarded McLuhan honorary degrees and he secured a Schweitzer Chair in the Humanities at Fordham University. – By Terrence Gordon (July 2002)

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Edmund "Ted" Carpenter, an anthropologist, was a colleague of Marshall McLuhan's at the University of Toronto in the 1950's, and a lifelong friend. McLuhan immediately recognized a fellow "intellectual thug" when he met Carpenter in 1948. Both cultivated reputations as academic iconoclasts. In his biography of McLuhan, The Medium and the Messenger, Philip Marchand recounts how Carpenter was reputed by those at St. Michael's College to have the largest collection of books on the devil and diabolism in Canada. In 1953, McLuhan and Carpenter were awarded a Ford Foundation grant for their interdisciplinary project "Changing Patterns of Language and Behavior and the New Media of Communication." Citing the work of Innis as demonstrating that new communications technologies reconfigured political, economic and social dynamics, the proposal suggested that the new media of television, radio and movies were reshaping society, and were creating a new language "since the media of communication were themselves languages, or art forms" (Marchand 117). Their collaboration on this project lead to the publication of Explorations, an eclectic journal of media exploration, from 1953 to 1959. Selected articles from Explorations were reprinted in Explorations in Communications in 1960. The "Introduction" to this collection of articles by an impressive range of writers from D.T. Suzuki and Northrop Frye to Fernand Leger and Gilbert Seldes, establishes a theme which would pre-occupy both McLuhan and Carpenter for the rest of their careers. As an anthropologist, Carpenter was exploring some of the same territory as Benjamin Whorf and Edward Sapir, Edward Hall and Victor Turner. Each in his own way discovered that we have much to learn about the unacknowledged values of our own culture by juxtaposing them against the values of another culture. Examining one medium through another. After this collaboration with McLuhan, Carpenter went on to pursue his career in anthropology, but he always retained an interest in the shaping of sensibility by media and culture. To the study of media he brought the skills of a person who, as an outsider, must find a way into another culture. The challenge for the anthropologist is to become sufficiently integrated or accepted into a culture to be given a deep enough view of that culture, while still remaining the stranger, the estranged one, capable of seeing the culture with fresh vision. Likewise, as investigators of the North American media, both McLuhan and Carpenter sought techniques which allowed them deep access to the culture while keeping them estranged from the sleep of reason and familiarity. Both were suspicious of the apparent clarity given to reality by the linearity of logical, sequential discourse; consequently, both experimented with techniques of dislocation and radical juxtaposition--McLuhan's probes and apparent disregard for inconsistencies--to prevent an overly rigid, fixed-point perspective on the cultural environment. Understanding media was always in the context of motion, of changing perspectives. The result is a collage or mosaic of insights requiring the student of their ideas to assemble the pieces into a meaningful arrangement. The audience becomes the workforce. In this approach, they were participating in Vygotsky's and Piaget's constructivist principles of learning. In the early 1970's, Carpenter published a series of books which approach media of communication, including culture, from an anthropologist's itinerant perspective. In all three--They Became What They Beheld (1970), Oh, What a Blow That Phantom Gave Me! (1972) and Eskimo Realities (1973)-- he uses juxtaposition, association, analogy and dislocation to structure the arrangement of ideas. "Organized ignorance can be a great asset when approaching the unfamiliar," he writes in They Became What They Beheld, where he also describes his method of presentation. More information: http://www.media-studies.ca/articles/carpentr.htm https://mcluhangalaxy.wordpress.com/2011/12/09/edmund-ted-snow-carpenter-1922-2011/

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